With this warning, Sybylla confesses to her rich and handsome suitor that she is given to writing stories and bound, therefore, on a brilliant career. In this ironically titled and exuberant work by Miles Franklin, originally published in 1901, Sybylla tells the story of growing up passionate and rebellious in rural New South Wales, where the most that girls could hope for was to marry or to teach.

Antigone is a famous Greek tragedy attributed to the ancient playwright Sophocles at around 440 BCE. The play expands on the Theban legend of Oedipus that predates it, dealing with Antigone’s burial of her brother Polyneices in defiance of the law and the tragic results of her act. On another level, the play exposes the dangers of the absolute ruler or tyrant in the character of Creon. No one speaks freely to him, so he makes a series of mistakes, illustrating the folly of tyranny. 

Read by the critically acclaimed actress Maggie Gyllenhaal. When Esther Greenwood wins an internship at a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther's life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt as she grapples with difficult relationships and a society which refuses to take women's aspirations seriously.

The so-called Tibetan Book of the Dead has been renowned for centuries as a cornerstone of Buddhist wisdom and religious thought. More recently, it has become highly influential in the Western world for its psychological insights into the processes of death and dying - and what they can teach us about the ways we live our lives. It has also been found to be helpful in the grieving process by people who have recently lost their loved ones. This authoritative translation preserves the form and spirit of the original and was prepared especially for Western audiences.

Published in 1762, it had a profound impact on the approach to the education and upbringing of a child, through infancy, childhood, adolescence and into adulthood. This was partly fuelled by the format – for Rousseau presents before us the boy Emile, taking him through the various stages of life, and as Emile becomes a young man, introducing a female counterpart, Sophie. This device personalises what would otherwise be a more formal philosophical presentation.