Get Your Free Audiobook

Non-member price: $31.21

After 30 days, Audible is $16.45/mo. Cancel anytime.

Publisher's Summary

Dreams of stardom had lured Martyn Tarne from faraway New Zealand to make the dreary, soul-destroying round of West End agents and managers in search of work.

The Vulcan Theatre had been her last forlorn hope, and now, driven by sheer necessity, she was glad to accept the humble job of dresser to its leading lady. And then came the eagerly awaited opening night.

To Martyn the night brought a strange turn of the wheel of fortune - but to one distinguished member of the cast it was to bring sudden and unforeseen death....

©1951 Original Text of 1951 by Ngaio Marsh (P)2015 Hachette Audio

Critic Reviews

"Miss Marsh at her best...she is thoroughly at home in the wings with a pack of actors locked in the grip of rehearsals and jealous intrigue." ( New Statesman)
"Miss Marsh’s best yet." ( Observer)

What listeners say about Opening Night

Average Customer Ratings
Overall
  • 5 out of 5 stars
  • 5 Stars
    6
  • 4 Stars
    1
  • 3 Stars
    0
  • 2 Stars
    0
  • 1 Stars
    0
Performance
  • 5 out of 5 stars
  • 5 Stars
    5
  • 4 Stars
    1
  • 3 Stars
    0
  • 2 Stars
    0
  • 1 Stars
    0
Story
  • 5 out of 5 stars
  • 5 Stars
    5
  • 4 Stars
    1
  • 3 Stars
    0
  • 2 Stars
    0
  • 1 Stars
    0

Reviews - Please select the tabs below to change the source of reviews.

No Reviews are Available
Sort by:
Filter by:
  • Overall
    3 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    2 out of 5 stars
Profile Image for Rick
  • Rick
  • 15-11-2020

Dull

Ngaio March loves the stage as a setting for murder as much as Agatha Christie loved the country house. I find the latter to be much more interesting. As for the book, it is certainly not a good sign when you get to the murder and you don't remember the victim being a character in the book. I decided to jump back a few hours and see what I had missed. It made me realize how often my mind wanders away from the story in a Marsh book. The book centers on a wanna be actress main character who is likeable enough. Alleyn does not appear until late and his solution is fairly standard. The reader did a decent job in this one, not his usual over acting.

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars
Profile Image for Thomas
  • Thomas
  • 12-02-2018

fabulously read with amazing voices

the reader represents cast of actors beautifully with expression nuance and great differentiation of both male and female voices

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars
Profile Image for Jamie Kopp
  • Jamie Kopp
  • 31-08-2017

love this series

Where does Opening Night rank among all the audiobooks you’ve listened to so far?

All of is series are great. It ranks in the top 10.

What did you like best about this story?

The characters are richly described.

What does James Saxon bring to the story that you wouldn’t experience if you just read the book?

I am an auditory learner so these are wonderful.

Was there a moment in the book that particularly moved you?

No

Any additional comments?

Please continue this series.

  • Overall
    3 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    3 out of 5 stars
Profile Image for Chelle
  • Chelle
  • 23-03-2017

Theatre With a Twist

Any additional comments?

Not my favourite Roderick Alleyn.
I thought the story had some interesting moments, but not enough for me to want to listen to it again, or recommend it to others - I thought Marsh would have given Mike Lamprey, from Surfeit of Lamprey's, more footage and let him be the romantic interest for 'the' girl in the end.
I wanted to pre-view this title before handing to my young teen - glad I did; other parents may want to know of these potential content issues too: adultery between the lead actors, a marital rape scene is alluded to euphemistically, suicide.
Now for my teeny gripe about Saxon - just a small one since he is an excellent narrator - he always uses WAY to much affectation for 'gay' characters in Marsh's stories.

  • Overall
    5 out of 5 stars
  • Performance
    5 out of 5 stars
  • Story
    5 out of 5 stars
Profile Image for Helen L.
  • Helen L.
  • 14-09-2016

Intensely written, performed and enjoyed

You don't have to know all about theater to enjoy the wonderful recreation of backstage and onstage life created here by mystery master Ngaio Marsh, who was also immersed in theater herself. This little troupe finds itself in a crisis. We are drawn in wondering first who will be killed (because someone always is) and then who did it? Plenty of motives and clues, as usual, brilliant and unbelievably speedy detection by Alleyne, but we still don't know who did it until the very end. How nice is that!

  • Overall
    4 out of 5 stars
  • Performance
    4 out of 5 stars
  • Story
    5 out of 5 stars
Profile Image for Bookish chick
  • Bookish chick
  • 21-04-2016

Characters trump plot

Would you consider the audio edition of Opening Night to be better than the print version?

I read the book years ago and remember really enjoying it for the characters and the theater setting. Listening to it again years later, I see why I enjoyed it. While dated by time, the characters are interesting (except for the purposely annoying ones) and the insider's view of the theater is interesting. The murder is really secondary to the characters and their relationships.

What was one of the most memorable moments of Opening Night?

The opening moments with literally "starving artist" and her serendipitous finding of a job and food captures both attention and sympathy.

What about James Saxon’s performance did you like?

Real variety of voices.

Was there a moment in the book that particularly moved you?

The kindness of Badger and Jacko to Martyn is poignant.

In the spirit of reconciliation, Audible Australia acknowledges the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respect to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander peoples today.