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Noble Savages

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Noble Savages

By: Sarah Watling
Narrated by: Anna Cordell
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'Interesting women have secrets. They also ought to have sisters.'

From the beginning of their lives, the Olivier sisters stood out: surprisingly emancipated, strikingly beautiful, markedly determined and alarmingly 'wild'. Rupert Brooke was said to be in love with all four of them; D. H. Lawrence thought they were frankly 'wrong'; and Virginia Woolf found them curiously difficult to read.

The sisters seemed always to be one step ahead of their time. Margery and Daphne studied at Cambridge when education was still thought by some to be damaging to ovaries. Noel became a doctor; Daphne a pioneering teacher; Margery's promising trajectory was shot down by mental illness; Brynhild, the great beauty of the four, excelled as a Bloomsbury hostess yet gave it up for love and a life of uncertainty.

In this intimate, sweeping biography, Sarah Watling brings the sisters in from the margins, tracing lives that span colonial Jamaica, the bucolic life of Victorian progressives, the frantic optimism of Edwardian Cambridge, the bleakness of two world wars, and a host of evolving philosophies for life over the course of the 20th century.

Noble Savages is a compelling portrait of sisterhood in all its complexities, which rediscovers the lives of four extraordinary women within the varied fortunes of the feminism of their times, while illuminating the battles and ethics of biography itself.

©2019 Sarah Watling (P)2019 W. F. Howes Ltd
20th Century Art & Literature Authors Gender Studies Modern Parenting & Families Social Sciences Women War
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I came to this book from Nigel Jones' excellent biography of Rupert Brooke in which the Olivier sisters had intriguing roles. Sarah Watling is good on context: two world wars, the roles of women, girls' and women's education, feminist movements, the Bloomsbury set and so on, but be it the fault of the author or the material, I was never busting to know what happened next. The sisters' early years and education were certainly different and interesting enough but their later lives with some triumphs and much sadness were not enough to set them apart from the majority of middle class families of their times. Watling's section headings skipping years, for example 'nine years later' don't make sense to me. A grating annoyance throughout was Watling referring to Mrs Olivier as 'the Walla (spelling?)', the girls' nickname for her. This seems offensive and lacking respect - a family nickname should, in my view, be restricted to family members and certainly not used by a biographer as though she's a family intimate rather than a neutral observer. Anna Cordell has a pleasant voice and accent but mispronunciations eg hyperbole, Cliveden, pot-pourri, Ottoline, Keynes, marred the performance,

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