The first novel by the filmmaker, artist and bestselling author Miranda July confirms her as a spectacularly original, iconic, and important voice today, and a writer for all time. The First Bad Man is dazzling and unforgettable.

Deeply personal and powerfully moving, a short and timely series of essays on the experience of lockdown, by one of the most clear-sighted and essential writers of our time. Crafted with the sharp intelligence, wit and style that have won Zadie Smith millions of fans and suffused with a profound intimacy and tenderness in response to these unprecedented times, Intimations is a vital work of art, a gesture of connection and an act of love - an essential book in extraordinary times.

We are living in the era of the self, in an era of malleable truth and widespread personal and political delusion. In these nine interlinked essays, Jia Tolentino, the New Yorker’s brightest young talent, explores her own coming of age in this warped and confusing landscape. 

Motherhood treats one of the most consequential decisions of early adulthood - whether or not to have children - with the intelligence, wit and originality that have won Sheila Heti international acclaim. Having reached an age when most of her peers are asking themselves when they will become mothers, Heti’s narrator considers, with the same urgency, the question of whether she will do so at all. Over the course of several years, under the influence of her partner, her body, her family, mysticism and chance, Heti's narrator struggles to make a wise and meaningful choice.

The first novel from the award-winning, best-selling author of Everything I Know About Love. Thirty-two-year-old Nina Dean is a successful food writer with a loyal online following but a life that is falling apart. When she uses dating apps for the first time, she becomes a victim of ghosting and by the most beguiling of men. Her beloved dad is vanishing in slow motion into dementia, and she's starting to think about ageing and the gendered double-standard of the biological clock.

Nothing is harder to do these days than nothing. But in a world where our value is determined by our 24/7 data productivity...doing nothing may be our most important form of resistance. So argues artist and critic Jenny Odell in this field guide to doing nothing (at least as capitalism defines it). Odell sees our attention as the most precious - and overdrawn - resource we have. 

Welcome to the hilarious, strange, elegiac, outrageous world of David Sedaris. In Naked, Sedaris turns the current mania for the memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview, a sensibility at once take-no-prisoners sharp and deeply charitable.

As the witty and passionate chief art critic for New York magazine, Jerry Saltz is often approached by artists, both amateur and professional, asking him for advice: How do I get started? How do I get better? Is what I'm doing even art at all? They want to know, in short, how to be an artist. Now, expanding on his viral cover story for New York magazine - and drawing on his decades of immersion in the art world - Saltz has the answers. How to Be an Artist is an indispensable book of practical inspiration for creative people of all kinds. 

It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong? Our narrator has many of the advantages of life: young, thin, pretty, a recent Columbia graduate, she lives in an apartment on the Upper East Side of Manhattan paid for, like everything else, by her inheritance. But there is a vacuum at the heart of things, and it isn’t just the loss of her parents in college, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her alleged best friend.

Rita is an escort, one of the best in Australia. It all began on a whim at 18, after she rang the number on a sign looking for nude models. Always the outsider, she quickly learns the sex industry is comprised of many other people just like her and she becomes immersed in this world: the drugs, the late nights, the glamour, being an outcast, the attention and validation from men. Mostly she thrives on how taboo her life has become.

From Newcastle to Cornwall, from the birth of the 20th century to the teens of the 21st, Girl, Woman, Other follows a cast of 12 characters on their personal journeys through this country and the last hundred years. They're each looking for something - a shared past, an unexpected future, a place to call home, somewhere to fit in, a lover, a missed mother, a lost father, even just a touch of hope....  

If you've ever laughed your way through David Sedaris' cheerfully misanthropic stories, you might think you know what you're getting with Calypso. You'd be wrong. When he buys a beach house on the Carolina coast, Sedaris envisions long, relaxing vacations spent playing board games and lounging in the sun with those he loves most. And life at the Sea Section, as he names the vacation home, is exactly as idyllic as he imagined, except for one tiny, vexing realization: it's impossible to take a vacation from yourself.

In 1967, a chance meeting between two young people led to a romance and a lifelong friendship that would carry each to international success never dreamed of. The backdrop is Brooklyn, Chelsea Hotel, Max’s Kansas City, Scribner’s Bookstore, Coney Island, Warhol’s Factory and the whole city resplendent. Among their friends, literary lights, musicians and artists such as Harry Smith, Bobby Neuwirth, Allen Ginsberg, Sandy Daley, Sam Shepherd, William Burroughs, etc

Smart, humorous, and strikingly original essays by one of “America’s most bracing thinkers on race, gender, and capitalism of our time.” (Rebecca Traister) In these eight piercing explorations on beauty, media, money, and more, Tressie McMillan Cottom - award-winning professor and acclaimed author of Lower Ed - embraces her venerated role as a purveyor of wit, wisdom, and Black Twitter snark about all that is right and much that is wrong with this thing we call society.  

M Train begins in the tiny Greenwich Village café where Smith goes every morning for black coffee, ruminates on the world as it is and the world as it was, and writes in her notebook. Through prose that shifts fluidly between dreams and reality, past and present, and across a landscape of creative aspirations and inspirations, we travel to Frida Kahlo’s Casa Azul in Mexico; to a meeting of an Arctic explorer’s society in Berlin; to a ramshackle seaside bungalow that Smith acquires just before Hurricane Sandy hits; and to the graves of Genet, Plath, Rimbaud and Mishima.