In 1989, Saul is hit by a car on the Abbey Rd crossing. He is fine; he gets up and goes to see his girlfriend, Jennifer. They have sex and then break up. He leaves for the GDR, where he will have more sex, bury his dead father in a matchbox, and get on the wrong side of the Stasi. In 2016, Saul is hit by a car on the Abbey Rd crossing. He is not fine at all; he is rushed to hospital and spends the following days in and out of consciousness. Jennifer is sitting by his bedside. His very-much-not-dead father is sitting by his bedside. Someone important is missing.

Our brains stay active for 10 minutes after our heart stops beating. For Leila, each minute brings with it a new memory: growing up with her father and his wives in a grand old house in a quiet Turkish town; watching the women gossip and wax their legs while the men went to mosque; sneaking cigarettes and Western magazines on her way home from school; running away to Istanbul to escape an unwelcome marriage; falling in love with a student who seeks shelter from a riot in the brothel where she works. 

Teeming with life and crackling with energy, told through many distinctive voices, this novel follows the lives of 12 very different characters. Mostly women, black and British, they tell the stories of their families, friends and lovers, across the country and through the years. Joyfully polyphonic and sparklingly contemporary, Girl, Woman, Other is a gloriously new kind of history, a novel of our times: celebratory, ever dynamic and utterly irresistible.

A young farmer named Chinonso prevents a woman from falling to her death. Bonded by this strange night on the bridge, he and Ndali fall in love, but it is a mismatch according to her family who reject him because of his lowly status. Is it love or madness that makes Chinonso think he can change his destiny? Set across Nigeria and Cyprus, An Orchestra of Minorities, written in the mythic style of the Igbo tradition, weaves a heart-wrenching tale about fate versus free will.   

From the award-winning author of 10:04 and Leaving the Atocha Station, a tender and expansive family drama set in the American Midwest at the turn of the century: a tale of adolescence, transgression, and the conditions that have given rise to the trolls and tyrants of the new right. Adam Gordon is a senior at Topeka High School, class of 1997. His mother, Jane, is a famous feminist author; his father, Jonathan, is an expert at getting "lost boys" to open up. They both work at the Foundation, a well-known psychiatric clinic that has attracted staff and patients from around the world.

A family in New York packs the car and sets out on a road trip. A mother, a father, a boy and a girl, they head southwest, to the Apacheria, the regions of the US which used to be Mexico. They drive for hours through desert and mountains. They stop at diners when they’re hungry and sleep in motels when it gets dark. The little girl tells surreal knock knock jokes and makes them all laugh. The little boy educates them all and corrects them when they’re wrong. The mother and the father are barely speaking to each other.

Anna Wiener was beginning to tire of her assistant job in New York publishing. Within a year she had moved to San Francisco to take up a job at a data analytics start-up in Silicon Valley. She had a healthy income for the first time in her life. She felt like part of the future. But a tide was beginning to turn. People were speaking of tech start-ups as surveillance companies. Out of 60 employees, only 8 of her colleagues were women. Casual sexism was rife. Sexual harassment cases were proliferating.

In Brexit Britain, a young transgender doctor called Ry is falling in love - against their better judgement - with Victor Stein, a celebrated professor leading the public debate around AI. Meanwhile, Ron Lord, just divorced and living with Mum again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead...but waiting to return to life. 

From an award-winning science fiction writer (whose short story ‘The Story of Your Life’ was the basis for the Academy Award-nominated movie Arrival), the long-awaited new collection of stunningly original, humane, and already celebrated short stories. 

Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television, who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where 'Anything-Can-Happen'. Meanwhile his creator, in a midlife crisis, has equally urgent challenges of his own.

Danny Conroy grows up in the Dutch House, a lavish mansion. Though his father is distant and his mother is absent, Danny has his beloved sister Maeve: Maeve, with her wall of black hair, her wit, her brilliance. Life is coherent, played out under the watchful eyes of the house’s former owners in the frames of their oil paintings. Then one day their father brings Andrea home.  

Jim Sams has undergone a metamorphosis. In his previous life he was ignored or loathed, but in his new incarnation he is the most powerful man in Britain - and it is his mission to carry out the will of the people. Nothing must get in his way: not the opposition, nor the dissenters within his own party. Not even the rules of parliamentary democracy. With trademark intelligence, insight and scabrous humour, Ian McEwan pays tribute to Franz Kafka’s most famous work to engage with a world turned on its head.

Wisecracking Kerry Salter has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying, and she’s an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border. She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. 

Not far from London, there is a village. This village belongs to the people who live in it and to those who lived in it hundreds of years ago. It belongs to England's mysterious past and its confounding present. It belongs to Mad Pete, the grizzled artist. To ancient Peggy, gossiping at her gate. To families dead for generations, and to those who have only recently moved here. But it also belongs to Dead Papa Toothwort who has woken from his slumber in the woods. Dead Papa Toothwort, who is listening to them all. 

Constable Paul Hirschhausen runs a one-cop station in the dry farming country south of the Flinders Ranges. He’s still new in town but the community work - welfare checks and working bees - is starting to pay off. Now Christmas is here and, apart from a grass fire, two boys stealing a ute and Brenda Flann entering the front bar of the pub without exiting her car, Hirsch’s life has been peaceful. Until he’s called to a strange, vicious incident in Kitchener Street. Suddenly, it doesn’t look like a season of goodwill at all.