Black Country Music tells the story of how Black musicians have changed the country music landscape and brought light to Black creativity and innovation. After a century of racist whitewashing, country music is finally reckoning with its relationship to Black people. In this timely work—the first book on Black country music by a Black writer—Francesca Royster uncovers the Black performers and fans, including herself, who are exploring the pleasures and possibilities of the genre.

The most toxic racial arguments share one of five traits. They try to erase Black history, prioritize white victimhood, deny Black oppression, promote myths of Black inferiority, or rebrand racism as something else entirely. They’re all designed to distract society from racial justice, but now we have the tools to debunk them.

Growing up in Brooklyn, New York, it never occurred to Uché Blackstock and her twin sister, Oni, that they would be anything but physicians. In the 1980s, their mother headed an organization of Black women physicians, and for years the girls watched these fiercely intelligent women in white coats tend to their patients and neighbors, host community health fairs, cure ills, and save lives.

In this comprehensive and vibrant poetry anthology, bestselling author and poet Kwame Alexander curates a collection of contemporary anthems at turns tender and piercing and deeply inspiring throughout.

The prompt seemed simple: Race. Your Story. Six Words. Please Send. The answers, though, have been challenging and complicated. In the twelve years since award-winning journalist Michele Norris first posed that question, over half a million people have submitted their stories to The Race Card Project inbox. The stories are shocking in their depth and candor, spanning the full spectrum of race, ethnicity, identity, and class. Even at just six words, the micro-essays can pack quite a punch, revealing, fear, pain, triumph, and sometimes humor.

New York Times-bestselling author Elijah Wald, one of the most wide-ranging and respected writers on blues and popular music, traces the beginnings of the music that became our national soundtrack. Using Morton’s life and songs as a connecting thread, Jelly Roll Blues suggests an alternate history of blues and jazz, surveying a world of Black and working class culture that at times seems startlingly modern.

America’s backstory is a whitewashed mythology implanted in our collective memory. It should come as no surprise that the dominant narrative of American history is blighted with errors and oversights—after all, history books were written by white men with their perspectives at the forefront. It could even be said that the devaluation and erasure of the Black experience is as American as apple pie. In Black AF History, Michael Harriot presents a more accurate version of American history.

What greater act of friendship is there than making someone dear look and feel their most beautiful and powerful? That was the priceless gift acclaimed designer B Michael gave to one of Hollywood’s greatest actresses, Cicely Tyson over the course of their close, decades-long relationship. In this glorious memoir, B Michael recalls the bond they shared and what it was like to dress the Queen of Hollywood for all the extraordinary events of her life.

Deion “Coach Prime” Sanders is one of the greatest motivators and inspirational leaders of all time—on the field, in business, with family, and in his community. Now, he delivers the ultimate playbook of inspiring personal stories, winning strategies, and the motivation required to help us “elevate and dominate” in all aspects of our lives.

In 1920, as art and writing flourished during the Harlem Renaissance, W. E. B. Du Bois published The Brownies’ Book: A Monthly Magazine for Children of the Sun—the first periodical for African American youth, collecting original art, stories, letters, and activities to celebrate their identities and inspire their imaginations and ambitions. Building upon Du Bois’s mission, esteemed professor and scholar Karida L. Brown and celebrated artist Charly Palmer reimagine the groundbreaking publication with The New Brownies’ Book, gathering the work of more than 50 contemporary Black writers.

In the 1980s, the subways of New York City were covered with art. In the stations, black matte sheets were pasted over outdated ads, and unsigned chalk drawings often popped up on these blank spaces. These temporary chalk drawings numbered in the thousands and became synonymous with a city as diverse as it was at war with itself, beset with poverty and crime but alive with art and creative energy. And every single one of these drawings was done by Keith Haring.

Growing up in a deeply evangelical family in the Midwest in the ‘80s and ‘90s, Sarah McCammon was strictly taught to fear God, obey him, and not question the faith. Persistently worried that her gay grandfather would go to hell unless she could reach him, or that her Muslim friend would need to be converted, and that she, too, would go to hell if she did not believe fervently enough, McCammon was a rule-follower. But through it all, she was plagued by fears and deep questions as the belief system she'd been carefully taught clashed with her expanding understanding of the outside world.

As one of the few black students in his philosophy program at Columbia University years ago, Coleman Hughes wondered why his peers seemed more pessimistic about the state of American race relations than his own grandparents–who lived through segregation. The End of Race Politics is the culmination of his years-long search for an answer.

Disinformation is designed to evoke a strong emotional response to push us toward more extreme views, unable to find common ground with others. The false claims that led to the breathtaking attack on our Capitol in 2020 may have been only a dress rehearsal. Attack from Within shows us how to prevent it from happening again, thus preserving our country's hard-won democracy.

In another time and place, E. Gab Blackman and William Sousa "Sou" Bridgeforth might have been as close as brothers, but in 1950s Nashville they remained separated by the color of their skin. Gab, a visionary yet opportunistic radio executive, saw something no one else did: a vast and untapped market with the R&B scene exploding in Black clubs across the city. He defied his industry, culture, government, and even his own family to broadcast Black music to a national audience.