With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt Against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent dimension of being.

Written in 1941, this is the book that theorized how the world was moving into the hands of the "managers". Burnham explains how capitalism had virtually lost its control, and would be displaced not by labour, nor by socialism, but by the rule of administrators in business and in government. 

These essays, originally written by Evola during the 1930s and '40s, deal with war from a spiritual and heroic perspective. Evola selects specific examples from the Nordic, Vedic, Roman, Persian, Islamic, and other traditions to demonstrate how traditionalists can prepare themselves to experience war in a way that will allow them to overcome the limited possibilities offered by our materialistic and degraded age, thereby transcending the Age of Kali and entering the world of heroism.

The Decline of the West - Volume 1 published in 1917, Volume 2 in 1922 - has exercised and challenged opinion ever since. It was a huge undertaking by Oswald Spengler (1880-1936), formerly an unpublished historian and philosopher who set out to radically reconsider history - the rise and fall of world civilisations and their cultures. His primary view was to reject the established Eurocentric paradigm (ancient/classical, Medieval - and, following the Renaissance - modern) and to take a totally new perspective.

Julius Evola’s The Fall of Spirituality was originally published in Italian as Maschera e volto dello spiritualismo contemporaneo. In it, the Baron critiques the spiritual schools, cults, philosophies, and mystical teachers of the 20th century - from spiritism and theosophy, to parapsychic research and anthroposophism, to psychoanalysis and the Church of Satan - comparing these newer spiritual “systems” to the traditional spiritual path of the ancients and exposing the misunderstandings, misinterpretations, and occult dangers lurking in their practices. 

Julius Evola’s final major work, which examines the prototype of the human being who can give absolute meaning to his or her life in a world of dissolution.

This sweeping book is a systematic treatment of the historic transformation of the West from limited monarchy to unlimited democracy. Revisionist in nature, it reaches the conclusion that monarchy, with all its failings, is a lesser evil than mass democracy but outlines deficiencies in both as systems of guarding liberty. 

Though uncompromising, polemical and argumentative, Thomas Carlyle (1795-1881) made a lasting impact on 19th-century culture as a multi-talented man of letters. And though his lengthy history of the French Revolution proved his major scholarly legacy, On Heroes, Hero-Worship and the Heroic in History remains perhaps his most popular and accessible work. It presented his deep-seated belief that ‘Universal History, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here’.  

This important survey of alchemical symbols and doctrines sets forth the mysterious worldview and teachings of the practitioners of the "royal art." One of the leading exponents of the Hermetic tradition, Julius Evola demonstrates the singularity of subject matter that lies behind the words of all adepts in all ages, showing how alchemy—often misunderstood as primitive chemistry or a mere template for the Jungian process of "individuation"—is nothing less than a universal secret science of human and natural transformation.

In this fascinating document, one of Japan's best known - and controversial - writers created what might be termed a new literary form. It is new because it combines elements of many existing types of writing, yet in the end, fits into none of them. The road Mishima took to salvation is a highly personal one. Yet here, ultimately, one detects the unmistakable tones of a self transcending the particular and attaining to a poetic vision of the universal.