By 1535 Thomas Cromwell, the blacksmith's son, is far from his humble origins. Chief Minister to Henry VIII, his fortunes have risen with those of Anne Boleyn, Henry’s second wife, for whose sake Henry has broken with Rome and created his own church. In Bring Up the Bodies, Hilary Mantel explores one of the most mystifying and frightening episodes in English history: the destruction of Anne Boleyn.

England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith's son from Putney emerges from the spring's bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. 

It is Brighton, 1959, and the theatre at the end of the pier is having its best summer season in years. Ronnie, a brilliant young magician, and Evie, his dazzling assistant, are top of the bill, drawing audiences each night. Meanwhile, Jack – Jack Robinson, as in ‘before you can say’ – is everyone’s favourite compère, a born entertainer, holding the whole show together. As the summer progresses, the off-stage drama between the three begins to overshadow their theatrical success, and events unfold which will have lasting consequences for all their futures.

Paddy Clarke is ten years old. Paddy Clarke lights fires. Paddy Clarke's name is written in wet cement all over Barrytown, north Dublin. Paddy Clarke's heroes are Father Damien (and the lepers), Geronimo and George Best. Paddy Clarke has a brother called Francis, but Paddy calls him Sinbad and hates him because that's the rule. Paddy Clarke knows the exact moment to knock a dead scab from his knee.

A producer. A novelist. An actress. It is summer in 1968, the year of the assassinations of Martin Luther King and Robert Kennedy. While the world is reeling, our trio is involved in making a rackety Swingin' '60s British movie in sunny Brighton. All are leading secret lives. As the film is shot, with its usual drastic ups and downs, so does our trio's private, secret world begin to take over their public one. Pressures build inexorably - someone's going to crack. Or maybe they all will.

Reflecting on time, religion, painting, dancing and even grandchildren, Dessaix takes us on an enlivening journey across the landscape of growing older. Riffing on writers and thinkers from Plato to Eva Hoffman, he homes in on the crucial importance of a rich inner life.

The year 1943: Each night in a bomb shelter beneath the Berlin Zoo an Australian woman, Vera, shelters with her German husband, Axel, the zoo's director. Together, they struggle to look after the animals through the air raids and food shortages. When the zoo's staff is drafted into the army, forced laborers are sent in as replacements. At first, Vera finds the idea abhorrent, but gradually she realizes that the new workers are the zoo's only hope and forms an unlikely bond with one of them. 

From the Winner of the 2016 Stella Prize for The Natural Way of Things. Four older women have a lifelong friendship of the best kind: loving, practical, frank and steadfast. But when Sylvie dies, the ground shifts dangerously for the remaining three. Can they survive together without her? They are Jude, a once-famous restaurateur, Wendy, an acclaimed public intellectual, and Adele, a renowned actress now mostly out of work. Struggling to recall exactly why they've remained close all these years, the grieving women gather for Christmas at Sylvie's old beach house.

Two women awaken from a drugged sleep to find themselves imprisoned in an abandoned property in the middle of a desert. The Natural Way of Things is a gripping, starkly imaginative exploration of contemporary misogyny and corporate control and of what it means to hunt and be hunted. But most of all, it is the story of two friends, their sisterly love and courage.

Rami Elhanan and Bassam Aramin live near one another - yet they exist worlds apart. Rami is Israeli. Bassam is Palestinian. Both men have lost their daughters. Rami’s 13-year-old girl, Smadar, was killed by a suicide bomber while out shopping with her friends. Bassam’s 10-year-old daughter, Abir, was shot and killed by a member of the border police outside her school. There was a candy bracelet in her pocket she hadn’t had time to eat yet. The men become the best of friends.