In this semi-autobiographical collection of poems, Renée Watson writes about her experience growing up as a young Black girl at the intersections of race, class, and gender. Using a variety of poetic forms, from haiku to free verse, Watson shares recollections of her childhood in Portland, tender odes to the Black women in her life, and urgent calls for Black girls to step into their power.

Partying with popular classmates they barely know is not what Eva and her BFFs had in mind for their spring break. But things have been off ever since Miles' academic career took a turn for the worse (they don't talk about it), so a trip to a private beach lodge might be exactly what they need. And Eva won’t admit it, but the chance to reconnect with Colton is worth putting up with Piper’s constant livestreams to her thousands of “besties.”

Icarus Gallagher is a thief. He steals priceless art and replaces it with his father’s impeccable forgeries. For years, one man—the wealthy Mr. Black—has been their target in revenge for his role in the death of Icarus’s mother. To keep their secret, Icarus adheres to his own strict rules to keep people, and feelings, at bay: Don’t let anyone close. Don’t let anyone touch you. And, above all, don’t get caught.

Ian Gray isn’t supposed to have a dog, but a lot of things that shouldn’t happen end up happening anyway. And Gather, Ian’s adopted pup, is good company now that Ian has to quit the basketball team, find a job, and take care of his mom as she tries to overcome her opioid addiction. Despite the obstacles thrown their way, Ian is determined to keep his family afloat no matter what it takes. And for a little while, things are looking up: Ian makes friends, and his fondness for the outdoors and for fixing things lands him work helping neighbors.

Jackson Ghasnavi is a lot of things—a techie, a smoothie afficionado, a totally not obsessive list-maker—but one thing he’s not is a romantic. And why would he be? He’s already had a front row seat to his parents’ divorce and picked up the pieces of his sister Jasmine’s broken heart one too many times.

From David Levithan’s story about a non-binary kid collecting pieces of other people’s collections to Jenny Torres Sanchez's tale of a girl gathering types of fire while trying not to get burned to G. Neri's piece about 1970's skaters seeking opportunities to go vertical—anything can be collected and in the hands of these award-winning and bestselling authors, any collection can tell a story. Nine of the best YA novelists working today have written fiction based on a prompt from Printz-winner A.S. King (who also contributes a story) and the result is itself an extraordinary collection.

Sixteen-year-old Alicia Rivers has a reputation that precedes her. But there’s more to her story than the whispers that follow her through the hallways at school—whispers that splinter into a million different insults that mean: a girl who has had sex. But what her classmates don't know is that Alicia was sexually abused by a popular teacher, and that trauma has rewritten every cell in her body into someone she doesn't recognize. To the world around her, she’s been cast, like the mythical Medusa, as not the victim but the monster of her own story: the slut who asked for it.

Poppy doesn’t know why her family has been running her whole life, but she does know that there are dire consequences if they’re ever caught. Still, her curiosity grows each year, as does her desire for real friends and the chance to build on something, instead of leaving behind school projects, teams, and crushes at a moment’s notice.

It was a mistake to trust him. Shivering and bruised, a teen wakes up on the side of a dirt road with no memory of how she got there—or who she is. The police don’t know where she came from until a frantic man arrives at the station. He’s been searching for her for hours. He has her school ID, her birth certificate, and even family photos.

Sixteen-year-old Bianca Torre is an avid birder undergoing a gender identity crisis and grappling with an ever-growing list of fears. Some, like Fear #6: Initiating Conversation, keep them constrained, forcing them to watch birds from the telescope in their bedroom.