All Noemi Broussard wanted was a fresh start. With a new boyfriend who actually treats her right and a plan to move from the reservation she grew up on—just like her beloved Uncle Louie before her—things are finally looking up for Noemi. Until the news of her boyfriend’s apparent suicide brings her world crumbling down. But the facts about Roddy’s death just don’t add up, and Noemi isn’t the only one who suspects that something menacing might be lurking within their tribal lands.

Tess welds metal. Bibi molds flesh. Together, they make art that moves, dances, burns, and bleeds, and the Surgeons of the Demolition become the hottest ticket in town. But Bibi wants more, always more, no matter who gets hurt. And Tess needs to burn, no matter what.

Some girls are fearful, others are brave. One girl’s a princess, the next one a slave. But all girls are equal when they’re down in this cave, until just one is left standing—The Prettiest Girl in the Grave.

Los Angeles brims with opportunity in 1959—though not for aspiring fashion designer Cordelia Mai Yin, the first-generation child of Vietnamese immigrants, who finds the city unkind to outsiders and as dispirited as her own family. When Cordi rents a cheap loft in an old apartment building, she quickly warms to kindred souls Tessa, Audrey, and Silly. They also want better things and have pasts they’d rather forget. That they all share the same middle name makes their friendship seem like destiny.

Fiona and Violet Seng were just children when their family’s Cessna crash-landed in the Washington wilderness, claiming the lives of their parents. For twelve harrowing weeks, the girls fended for themselves before being rescued. Twenty-five years later, they’re still trying to move on from the trauma. Fiona repurposes it into controversial works of art. Violet has battled addiction and failed relationships to finally progress toward normalcy as a writer. The estranged sisters never speak about what they call their Alone Time in the wild.