In Our Mad and Furious City

Random House presents the audiobook edition of From a Low and Quiet Sea by Donal Ryan, read by Stephen Hogan, Gerry O'Brien and Ramon Tikaram. Farouk’s country has been torn apart by war. Lampy’s heart has been laid waste by Chloe. John’s past torments him as he nears his end. The refugee. The dreamer. The penitent. From war-torn Syria to small-town Ireland, three men, scarred by all they have loved and lost, are searching for some version of home. Each is drawn towards a powerful reckoning, one that will bring them together in the most unexpected of ways.

When two English brothers take the helm of a Barbados sugar plantation, Washington Black - an 11-year-old field slave - finds himself selected as personal servant to one of these men. The eccentric Christopher 'Titch' Wilde is a naturalist, explorer, scientist, inventor and abolitionist whose single-minded pursuit of the perfect aerial machine mystifies all around him. Titch's idealistic plans are soon shattered, and Washington finds himself in mortal danger. 

Random House presents the audiobook edition of The Overstory by Richard Powers, read by Suzanne Toren. The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late 20th-century Timber Wars of the Pacific Northwest and beyond.

On a stifling summer's day, 11-year-old Jack and his two sisters sit in their broken-down car, waiting for their mother to come back and rescue them. 'Jack's in charge,' she said. 'I won't be long.' But she never comes back. Three years later, mum-to-be Catherine wakes to find a knife beside her bed, and a note that says: 'I could have killed you'. Meanwhile Jack is still in charge - of his sisters, of supporting them all, of making sure nobody knows they're alone in the house, and - quite suddenly - of finding out the truth about what happened to his mother. But the truth can be a dangerous thing....

Short-listed for the Man Booker Prize 2018. Words are important to Gretel, always have been. As a child, she lived on a canal boat with her mother, and together they invented a language that was just their own. She hasn’t seen her mother since the age of 16, though - almost a lifetime ago - and those memories have faded. Now Gretel works as a lexicographer, updating dictionary entries, which suits her solitary nature. A phone call from the hospital interrupts Gretel’s isolation and throws up questions from long ago....

Once upon a time, damaged women came here to be cured. We took them in, fed them glasses of our clean, good water, let them scream at the waves till their lips split like ripe fruit. Now no one is left but my sisters and me. King died a year ago, quite suddenly. Mother has vanished, no one knows where. And the safe compound they built around us, far away from the toxic world, has finally been breached. Three men arrived last week, washed up by the sea, their gazes hungry and insistent. We remember now what our father taught us. 'If the men come to you, show yourself some mercy. Don't stick around and wait for them to put you out of your misery.'

A noir narrative written with the intensity and power of poetry, The Long Take is one of the most remarkable - and unclassifiable - audiobooks of recent years. Walker is a D-Day veteran with post-traumatic stress disorder; he can’t return home to rural Nova Scotia, and looks instead to the city for freedom, anonymity and repair. As he moves from New York to Los Angeles and San Francisco we witness a crucial period of fracture in American history, one that also allowed film noir to flourish.

Part detective novel, part psychological thriller, Surfacing is the story of a talented woman artist who goes in search of her missing father on a remote island in northern Quebec. Setting out with her lover and another young couple, she soon finds herself captivated by the isolated setting, where a marriage begins to fall apart, violence and death lurk just beneath the surface, and sex becomes a catalyst for conflict and dangerous choices. Surfacing is a work permeated with an aura of suspense, complex with layered meanings, and written in brilliant, diamond-sharp prose.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years. This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. 

The great city of Troy is under siege as Greek heroes Achilles and Agamemnon wage bloody war over a stolen woman. In the Greek camp, another woman is watching and waiting: Briseis. She was a queen of this land until Achilles sacked her city and murdered her husband and sons. Now she is Achilles' concubine: a prize of battle. Briseis is just one among thousands of women backstage in this war - the slaves and prostitutes, the nurses, the women who lay out the dead - all of them voiceless in history. 

From the Orange Prize-winning, internationally best-selling author of The Song of Achilles comes the powerful story of the mythological witch Circe, inspired by Homer's Odyssey. In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe has neither the look nor the voice of divinity and is scorned and rejected by her kin. Increasingly isolated, she turns to mortals for companionship, leading her to discover a power forbidden to the gods: witchcraft.

London, 1945. The capital is still reeling from the war. Fourteen-year-old Nathaniel and his older sister Rachel are abandoned by their parents who leave the country on business, and are left in the dubious care of a mysterious figure named The Moth. Nathaniel is introduced to The Moth’s band of criminal misfits and is caught up in a series of teenage misadventures, from smuggling greyhounds for illegal dog racing to lovers’ trysts in abandoned buildings at night. But is this eccentric crew really what and who they claim to be? And most importantly, what happened to Nathaniel’s mother? 

Soon to be a major TV series starring Kenneth Branagh. On 21 June 1922, Count Alexander Rostov - recipient of the Order of Saint Andrew, member of the Jockey Club, Master of the Hunt - is escorted out of the Kremlin, across Red Square and through the elegant revolving doors of the Hotel Metropol. Deemed an unrepentant aristocrat by a Bolshevik tribunal, the Count has been sentenced to house arrest indefinitely. But instead of his usual suite, he must now live in an attic room while Russia undergoes decades of tumultuous upheaval. Can a life without luxury be the richest of all?

Who says you can't run away from your problems? Arthur Less is a failed novelist about to turn 50. A wedding invitation arrives in the post: it is from an ex-boyfriend of nine years who is engaged to someone else. Arthur can't say yes - it would be too awkward; he can't say no - it would look like defeat. So, he begins to accept the invitations on his desk to half-baked literary events around the world. From France to India, Germany to Japan, Arthur almost falls in love, almost falls to his death, and puts miles between him and the plight he refuses to face.