Hard-Boiled Wonderland and the End of the World
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Narrated by:
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Kirby Heyborne
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By:
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Haruki Murakami
About this listen
“Fantastical, mysterious, and funny . . . a fantasy world that might have been penned by Franz Kafka.”—The Philadelphia Inquirer
Across two parallel narratives, Murakami draws readers into a mind-bending universe in which Lauren Bacall, Bob Dylan, a split-brained data processor, a deranged scientist, his shockingly undemure granddaughter, and various thugs, librarians, and subterranean monsters collide to dazzling effect. What emerges is a hyperkinetic novel that is at once hilariously funny and a deeply serious meditation on the nature and uses of the mind.
Critic Reviews
“Murakami’s bold willingness to go straight over the top [is] a signal indication of his genius . . . a world-class writer who has both eyes open and takes big risks.” –The Washington Post Book World
“He has become the foremost representative of a new style of Japanese writing: hip, cynical, highly stylized, set at the juncture of cyberpunk, postmodernism, and hard-boiled detective fiction. . . . Murakami [is] adept at deadpan wit, outrageous style.” –Los Angeles Times Magazine
“Fantastical, mysterious, and funny . . . a fantasy world that might have been penned by Franz Kafka.” –Philadelphia Inquirer
“Rich in action, suspense, odd characters and unexpected trifles . . . [a] provocative work.” –The Atlantic
“Murakami’s gift is for ironic observations that hint at something graver. . . . He is wry, absurd, and desolate.” –Los Angeles Times Book Review
“[A] mix of American fun and Japanese dread.” –Esquire
“An intertwining DNA model of seemingly contrary elements . . . a combination of Kafka’s castle, Borges’s library, and the Prisoner’s TV village.” –Village Voice Literary Supplement
“Off the wall . . . hilariously bizarre . . . splendid . . . a remarkable book . . . Alfred Birnbaum . . . has captured the crazed, surreal feel of Murakami’s Japanese.” –The Times (London)
“His novels . . . are set on fast-forward: raucous, slangy, irreverent.” –Details
“He has become the foremost representative of a new style of Japanese writing: hip, cynical, highly stylized, set at the juncture of cyberpunk, postmodernism, and hard-boiled detective fiction. . . . Murakami [is] adept at deadpan wit, outrageous style.” –Los Angeles Times Magazine
“Fantastical, mysterious, and funny . . . a fantasy world that might have been penned by Franz Kafka.” –Philadelphia Inquirer
“Rich in action, suspense, odd characters and unexpected trifles . . . [a] provocative work.” –The Atlantic
“Murakami’s gift is for ironic observations that hint at something graver. . . . He is wry, absurd, and desolate.” –Los Angeles Times Book Review
“[A] mix of American fun and Japanese dread.” –Esquire
“An intertwining DNA model of seemingly contrary elements . . . a combination of Kafka’s castle, Borges’s library, and the Prisoner’s TV village.” –Village Voice Literary Supplement
“Off the wall . . . hilariously bizarre . . . splendid . . . a remarkable book . . . Alfred Birnbaum . . . has captured the crazed, surreal feel of Murakami’s Japanese.” –The Times (London)
“His novels . . . are set on fast-forward: raucous, slangy, irreverent.” –Details
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