Christmas is coming, the goose is getting fat...but 1.4 million NHS staff are heading off to work. In this perfect present for anyone who has ever set foot in a hospital, Adam Kay delves back into his diaries for a hilarious, horrifying and sometimes heartbreaking peek behind the blue curtain at Christmastime. Twas the Nightshift Before Christmas is a love letter to all those who spend their festive season on the front line, removing babies and baubles from the various places they get stuck, at the most wonderful time of the year. 

What Seems to Be the Problem with Adam Kay and Mark Watson reveals the intriguing and hilarious ways the body can go wrong - and the amazing stories that unfold when the medical world tries to help.... In conversation with his (very health-anxious) friend, the comedian Mark Watson, best-selling doctor-turned-writer Adam Kay takes a scalpel to the bizarre past, often-surprising present and fantastical future of medicine.

Welcome to the life of a junior doctor: 97-hour weeks, life and death decisions, a constant tsunami of bodily fluids, and the hospital parking meter earns more than you. Scribbled in secret after endless days, sleepless nights and missed weekends, Adam Kay's This is Going to Hurt provides a no-holds-barred account of his time on the NHS front line. Hilarious, horrifying and heartbreaking, this diary is everything you wanted to know - and more than a few things you didn't - about life on and off the hospital ward.

The Tattooist of Auschwitz is based on the true story of Lale and Gita Sokolov, two Slovakian Jews who survived Auschwitz and eventually made their home in Australia. In that terrible place, Lale was given the job of tattooing the prisoners marked for survival - literally scratching numbers into his fellow victims' arms in indelible ink to create what would become one of the most potent symbols of the Holocaust.

When Stephanie Wood meets a sweet, sophisticated man who owns land and businesses, she embarks on an exhilarating romance with him. He seems compassionate, truthful and loving. He talks about the future with her. She falls in love. She also becomes increasingly beset by anxiety at the lavish three-act plays he offers her in the form of excuses for frequent cancellations and no-shows. She begins to wonder, who is this man? When she ends the relationship Stephanie switches back on her journalistic nous and uncovers a story of mind-boggling duplicity and manipulation.

When PhD candidate Sarah Vallance is thrown from a horse and suffers a jarring blow to the head, she believes she walks away unscathed. The next morning, things take a sharp turn as she’s quickly led from work to the emergency room. By the end of the week, a neurologist delivers a devastating prognosis: Sarah suffered a traumatic brain injury that has caused her IQ to plummet, with no hope of recovery. Her brain has irrevocably changed. 

Jane stumbles on the rental opportunity of a lifetime: the chance to live in a beautiful ultraminimalist house designed by an enigmatic architect, on condition she abides by a long list of exacting rules. After moving in she discovers that a previous tenant, Emma, met a mysterious death there - and starts to wonder if her own story will be a rerun of the girl before. As twist after twist catches the listener off guard, Emma's past and Jane's present become inexorably entwined in this tense portrayal of psychological obsession.

Finally free from his nightmare of a marriage, Toby Fleishman is ready for a life of Tinder dating and weekend-only parental duties. But as he optimistically looks to a future of few responsibilities, his life turns upside down as his ex-wife Rachel suddenly disappears. While Toby tries to find out what happened - juggling work, his kids and his new, app-assisted sexual popularity - his tidy narrative of a spurned husband is his sole consolation. 

These are the extraordinary realities of the NHS frontline. From the historic junior doctor strikes to the 'humanitarian crisis' declared by the Red Cross, the overstretched health service is on the precipice. This is a powerful polemic on its systematic degradation, and a letter of optimism to that same health service and those who support it. It captures with tenderness, a new doctor's experiences of an NHS at breaking point.

Luke is The One. After everything she's been through, Georgia knows she deserves someone like him, to make her feel loved. Safe. The only problem is his ex-girlfriend. Luke says Cadence is having trouble moving on. She texts Luke all the time and leaves aggressive notes on Georgia's car. Georgia starts to feel afraid. But she decides to confront Cadence...and that's when things get interesting.