Maggie Caine and her family leave New York to visit the Caine family home, an old farmhouse in Ohio, which her husband has just inherited from a distant aunt. The house, 10 miles away from the nearest neighbor, was once owned by a Civil War general reputed to have been a Satanist. But when strange and terrible things begin to happen, it soon becomes clear that satanic worship is still alive and well in the community, and so might be the general, who Maggie suspects is taking possession of her teenage son.

These 21 stories - four published here for the first time - explore some of our fundamental fears: death, loss, grief, and aging. In “Reflections in Black”, a man takes a phantasmagoric Halloween journey in search of a former love. In “The Parts Man”, a man enters a desperate contract with a sinister entity in a long, vintage automobile. The darkly beautiful “The Dead Outside My Door” is a haunting post-apocalyptic tale unlike any you’ve ever experienced.

Provocative and controversial, socially conscious and politically charged, wildly imaginative yet deeply grounded, the thirty-two never-before published stories, essays, and poems in The Last Dangerous Visions stand as a testament to Ellison’s lifelong pursuit of art, representing voices both well-known and entirely new, including: David Brin, Max Brooks, James S. A. Corey, Dan Simmons, Cory Doctorow, and Adrian Tchaikovsky, among others.

A teenager stares at his reflection and sees the Milky Way. A motorbike prowls and growls like a wild animal. A whale sings a song to end loneliness. Philip Ridley's collection of short stories became an instant cult classic when first published in 1990. Magical, poetic, heartbreaking, and humorous, the sequence explores childhood, family life, romantic love in all its aspects - lost, unrequited, obsessional - and does so with a haunting mixture of both the barbaric and the beautiful. This edition includes two new stories, "Alien Heart" and "Wonderful Insect".

Though best known for his classic novel of Edwardian childhood The Go-Between, L. P. Hartley was also a master of supernatural and macabre fiction, the best of which is collected in The Travelling Grave and Other Stories. This volume demonstrates Hartley's versatility, ranging from traditional ghost stories like "Feet Foremost" and "The Cotillon" to the wonderfully black humor of the horror masterpieces "The Travelling Grave" and "The Killing Bottle". Originally published in 1948 and long out of print, this collection features 12 of Hartley's best tales.

The Carolinas, 1699: The citizens of Fount Royal believe a witch has cursed their town with inexplicable tragedies -- and they demand that beautiful widow Rachel Howarth be tried and executed for witchcraft. Presiding over the trial is traveling magistrate Issac Woodward, aided by his astute young clerk, Matthew Corbett. Believing in Rachel's innocence, Matthew will soon confront the true evil at work in Fount Royal....

Richard Fountain, a promising young Cambridge scholar, went to the island of Crete to study ancient rites and pagan rituals before, suddenly and inexplicably, breaking off all contact with the outside world. Disturbing rumors have filtered their way back to England, whispering of blasphemous rituals and obscene orgies, hints of terrible crimes and wanton murder.

For two centuries, the body of Sir Martin Railstone, poet, artist, and libertine, has lain undisturbed in its crypt, amidst rumours that important artistic works of genius are buried with him. The Church of England has refused to allow the opening of the tomb, believing that Railstone was a murderer and dabbler in the black arts, and that anything buried with him must be diabolical in nature.

The first time their eyes lock, it’s an amused and sympathetic look from Alice at the next table. She can tell Nate’s blind date is going horribly awry. The second time is a chance meeting at a grocery store. Or is it by chance? It’s a little weird, but either way, Nate and Alice hit it off immediately.

For best friends with vastly different fortunes, what’s left to hash out other than a forced confession at gunpoint? All that the destitute, sickly, and grieving Will demands is that monstrously successful Barry admit to draining all the luck right out of him. Like blood. As the standoff escalates, the truth is not the only thing ready to come out.

Journalist Heidi Cohen is in Cape Cod investigating the sources of recurring toxic algae blooms along the coast. A local named Jimmy has his own theory for her. Every year the fetid growth gets worse—but it’s been going on longer than anyone knows. Decades ago, something happened to Jimmy that he’s never forgotten. Is Heidi ready for the real story?

The Strauss family is on knife’s edge. Sam is a resentful stay-at-home dad. Rachel feels the restlessness in her blood returning. Their children are getting out of hand. And a recent mudslide has forced the wolves out of the woods to look for food. As dusk falls and tensions rise, the family must come together to survive the night—from the threats outside and those within.

The dense Michigan forest. Haunting wails. The clip-clop of demon hooves on a bridge to nowhere. It’s more than a tall tale to Brenda Jennings, whose sister disappeared in those woods one fateful night. Three years later, on a solo stakeout in the dark, Brenda goes in after her. She’s desperate for answers, and terrified to find what lies waiting on the other side of that bridge.

Willy and Marianne’s farmhouse in Maine has acres of meadow and fresh air, and a lonesome bridle path in the forest along which Willy daydreams and ambles. When he’s loaned a decrepit old baby stroller to cart his groceries home, the rickety squeak of the wheels comforts him. So do the sweet coos of a baby Willy knows can’t be real. Can it? In this twisted thicket, wishes come true—with a price.

After the death of their infant son, Hal and Rowan Graham decide to leave the mad bustle of London and move to a quiet country refuge. And the rustic village of Moorstone seems perfect. Too perfect? Lying beneath a hill capped by an enormous stone, Moorstone hides mysterious secrets. Why does such a small town need such a large insane asylum? Why do the village's elderly residents leave everything they own to young newcomers they barely know? And why is everyone so friendly, so handsome, and so preoccupied with Hal and Rowan's health?