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Lamentation
- Shardlake, Book 6
- Narrated by: Steven Crossley
- Length: 25 hrs and 19 mins
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Publisher's Summary
Perfect for fans of Hilary Mantel's The Mirror and The Light, Matthew Shardlake is back in the sixth book in the Shardlake series, from number one bestselling author C. J. Sansom.
'When it comes to intriguing Tudor-based narratives, Hilary Mantel has a serious rival' - Sunday Times
‘Sansom has the trick of writing an enthralling narrative. Like Hilary Mantel, he produces densely textured historical novels that absorb their readers in another time’ - Andrew Taylor, Spectator
England, 1546: King Henry VIII is slowly, painfully dying. His Protestant and Catholic councillors are engaged in a final and decisive power struggle; whoever wins will control the government of Henry's successor, eight-year-old Prince Edward. As heretics are hunted across London, and the radical Protestant Anne Askew is burned at the stake, the Catholic party focus their attack on Henry's sixth wife, Matthew Shardlake's old mentor, Queen Catherine Parr.
Shardlake, still haunted by events aboard the warship Mary Rose the year before, is working on the Cotterstoke Will case, a savage dispute between rival siblings. Then, unexpectedly, he is summoned to Whitehall Palace and asked for help by his old patron, the now beleaguered and desperate Queen.
For Catherine Parr has a secret. She has written a confessional book, Lamentation of a Sinner, so radically Protestant that if it came to the King's attention it could bring both her and her sympathizers crashing down. But, although the book was kept secret and hidden inside a locked chest in the Queen's private chamber, it has - inexplicably - vanished. Only one page has been found, clutched in the hand of a murdered London printer.
Shardlake's investigations take him on a trail that begins among the backstreet printshops of London but leads him and Jack Barak into the dark and labyrinthine world of the politics of the royal court; a world he had sworn never to enter again. Loyalty to the Queen will drive him into a swirl of intrigue inside Whitehall Palace, where Catholic enemies and Protestant friends can be equally dangerous, and the political opportunists, who will follow the wind wherever it blows, more dangerous than either.
The theft of Queen Catherine's book proves to be connected to the terrible death of Anne Askew, while his involvement with the Cotterstoke litigants threatens to bring Shardlake himself to the stake.
A stunning historical series, perfect for fans of Hilary Mantel and Philippa Gregory, the bestselling Shardlake series begins with Dissolution, Dark Fire, Sovereign, Revelation and Heartstone. Continue the gripping historical series with Tombland.
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What listeners say about Lamentation
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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- Jonathan
- 07-04-2021
Best of Sharlake, Worst naration
The extra length of the novel compared o others in the series, really allowed CJ Sansom to provide more of a backstory to the Tudor times, especially to the religious battles being fought in the king's court, and the book is better for it. Other Shardlake novels do not hang together as well as this one, and I suspect this was due to over-editing - not an issue with Lamentation.
BUT, BUT, BUT.....
whoever decided to replace Anton Lesser as the Narrator deserves the same fate as Anne Askew imho. Steven Crossly clearly has decided that all Tudor characters spoke with the same effeminate accent as Percy from Blackadder series 2, with the rule seemingly the "badder (ie the worst of the bad guys)" a character= the camper the voice, and don't even get me started with the butchering of Guy "The Moor"'s accent.
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- John
- 19-02-2023
Great saga of interwoven tales
Narration absolutely excellent.
The story has some half dozen tales weaving through the book which come to satisfactory if necessarily happy endings. A well researched book and a thoroughly good read/listen. I loved it.
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- Anonymous User
- 13-03-2020
Below previous standard
Plot unwieldy and repetitive. Needed a more ruthless edit. Narration odd - like a bad play with exaggerated villain voices. The men sound like querulous women, the women sound like bores and Shardlake often comes across as foolish and incompetent. Not good.
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