It’s 1971, and Joan Dumann fears her former business partner wants her dead—but her anxiety is less about dying than it is about feeling disrespected and invalidated. As she constructs a letter about her predicament, she revisits her past. Born into a prominent Philadelphia Quaker family in 1915 and raised with privilege and opportunity, Joan wrestles with her turbulent thoughts and unfulfilled desires—an internal battle that often results in self-destructive tendencies.

Sixteen-year-old Alison Brennan’s mother, Bernadette, is an agoraphobic hoarder, and her father Harry seems to have no past. Struggling every day, Alison seeks the help of a school counsellor. When an old homeless man is found dead in a Melbourne park, Alison's life changes. Somehow, the man's death is connected to her family and the Polish Home Army. Fighting for her future, can Alison unravel the mystery of her family and the dead man, and find a way to place her trust in others again?

Childhood friends Hannah, Maya, Blue, and Renee share a bond that feels more like family. Growing up, they had difficult home lives, and the summers they spent together in Montauk were the happiest memories they ever made. Then, the summer after graduation, one terrible night changed everything. Twelve years have passed since that fateful incident, and their sisterhood has drifted apart, each woman haunted by her own lost innocence. But just as they reunite in Montauk for one last summer, hoping to find happiness once more, tragedy strikes again.

After a childhood filled with heartbreak, Irene, a talented artist, finds herself in a small Central American village where she checks into a beautiful but decaying lakefront hotel called La Llorona at the base of a volcano.

Maeve Maloney may be nearing 80, but she keeps Sea View Lodge as shipshape as her parents did during Morecambe's heyday. But now only her employees recognise the heartbreak hidden beneath her spikiness. Until, that is, Vincent shows up. He is the only man alive to have known her twin sister, Edie. If only Maeve could confront the secret past she shares with Vincent, she might finally see what it means to love and be loved - a lesson that her twin may have been trying to teach her all along.

Russia, 1905: Thirteen-year-old Ruth dreams of growing up to marry the boy next door and living peacefully ever after. But when he and her father are forced to flee to America after the Bloody Sunday Massacre, Ruth and the other female members of the family are left behind amid the violence and chaos of revolutionary Russia.

Nell Stillman's road is not easy. When her boorish husband dies soon after they move to the small town of Harvester, Minnesota, Nell is alone, penniless yet responsible for her beloved baby boy, Hillyard. Not an easy fate in small-town America at the beginning of the 20th century. In the face of nearly insurmountable odds, Nell finds strength in lasting friendships and in the rich inner life awakened by the novels she loves.

Therapy might get her closer to feeling happy, but surviving 50 minutes of psychological interrogation is hard without obsessing about raspberry donuts or wondering why the couch, carpet, and wall color in her shrink's office are all the same shade of kill-me-now-beige, and why every decision she makes is wrong.

Violette Toussaint is the caretaker at a cemetery in a small town in Bourgogne. Casual mourners, regular visitors, and sundry colleagues - gravediggers, groundskeepers, and a priest - visit her to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee she offers them. Her life is lived to the rhythms of their funny, moving confidences. But her routine is disrupted by the arrival of the local police chief, who insists on scattering the ashes of his recently deceased mother on the gravesite of a complete stranger.

After the tragic death of her son and the seeming collapse of her marriage, Charlotte Napier flees to Portugal in the hopes of finding guidance from her mentor: her mother-in-law, Violet. Instead, she finds solace in the letters of Mariana Alcoforado, a seventeenth-century nun. Charlotte and Mariana's stories may be different in origin, but they share the same inner turmoil. As she reads the letters, Mariana's spiritual journey sheds light on Charlotte's own crisis.

DS George Cross can be rude, difficult and awkward with people. But his unfailing logic and dogged pursuit of the truth means his conviction rate is the best on the force. So when his police colleagues dismiss the death of a man as a squabble among Bristol's homeless community, Detective Sergeant George Cross is not convinced.

From her home on the California coast, Dalva hears the broad silence of the Nebraska prairie where she was born, and longs for the son she gave up for adoption years before. Beautiful, fearless, tormented, at 45 she has lived a life of lovers and adventures. Now, Dalva begins a journey that will take her back to the bosom of her family, to the half-Sioux lover of her youth, and to a pioneering great-grandfather whose journals recount the bloody annihilation of the Plains Indians.

Walter Winslow thoroughly enjoyed his orderly and predictable life. He left for work at exactly the same time each day, ate the same thing for lunch, and returned home to revel in the comfort of a home-cooked meal and his favorite programming on the telly. Though not particularly thrilling, his life was utterly comfortable. That is, until one day when Wendy--his wife of 28 years--asked for a divorce.

Fifty-year-old Agatha Doyle loves her empty nest – until hot flushes, a pair of killer heels and an overbearing man who won’t stop talking conspire to change her life. In one moment of madness, she unwittingly becomes a heroine to women everywhere. But can she become the heroine of her own life? Sometimes you just have to wing it.

On the day that her youngest child leaves home, Alice Hatton discovers two disturbing truths in a matter of hours. The Empty Nest cliché is true. And she does not love her husband Peter at all. Now in her fifties, Alice is appalled to realise that she is no longer considered her own person, but is instead defined by her relationships – mother to her adult children, wife to her husband. Horrified by the thought of spending another thirty years with Peter in their North London suburb, Alice decides to take matters into her own hands.