When the eligible Mr. Allison is to come to Fenton Manor to woo Honoria, there is a problem. She doesn't remember what he looked like. Crippled by her timidity, she hardly looked at him when they'd met during her first London season. But he had spoken to her father, determined to ask her for her hand. Her siblings, Serena and Benedict, find this highly amusing, but after Honoria overhears a conversation between her parents about their finances, she realises she must marry Mr. Allison.

Delphine Delacroix has lived the life of bird in a gilded cage, kept in a stately home with only her cold autocratic mother for company. At her mother’s death, she finds herself to be a wealthy woman and comes to London to be fretted over by her three maternal aunts determined to have her marry well. But Delphine feels she is once more having to hand herself over to another’s will and seeks to be the mistress of her own destiny.

Beth Culpepper is a lady's maid who is mistaken for a lady! Cast off and stranded at an inn in the way to London, she doesn't feel strong enough to dispute it. The handsome Marquis of Wrexham mistakes her youthful appearance as that of a gently bred schoolgirl whom he feels impelled to help. How did a good girl, proud of her position as lady's maid to Miss Sophy Ludgate, come to this?

Georgette Fortune has loved the same man for over two years now, but he does not even know she exists. When the handsome Marquis of Onslow appears at a house party in her home, the crumbling Castle Fortune, he does not recognise her at all. With six unmarried daughters to provide for, and in the hope of marriage settlements, Baron Fortune has invited guests to a home ill prepared for it. He hopes that young Lord Paxton, who has shown interest in his daughter Jocasta will finally offer for her. And while he is at it, he will introduce his other daughters to the company as well.

In 1900s London, Francine is a ladies' maid, cast off without a character. But she is anything but a victim. Francine has a mission, to help other women survive their prescribed fates, and when she meets another cast-off - poor starving governess Miss Philpot - she transforms her into an independent woman. If she finds romance, so much the better.

Julia Fletcher is the unimportant daughter of the Fletcher family, with neither beauty nor wit nor accomplishments, but always in a scrape. Somehow she never manages to get through the day without breaking or spilling or tearing something. She’s quite the despair of her stepmother. She’s looking forward to their grand new home because it will give her a vast estate to roam over without getting into too much trouble. Or so she hopes.

Miss Amelia Fleming has a very good reason to hate the Earl of Langley. A year ago, her father drowned in the Thames after losing a fortune to Langley at cards. Now her family is broke, her fiance has broken their engagement, and the debt still hasn't been paid. Someone has to deal with the earl, but Amelia's brother doesn't have the nerve and her mother has fled to France. It's no business for a gently bred young lady, but the Earl of Langley is about to learn that Amelia Fleming is not your typical young lady . . .

Sophy Hadlow does not want to return for another London Season. Her own debut into Society was marred by self-consciousness and her cringing embarrassment every time she was announced as ‘The Lady Sophronia Hadlow’. Yet, much to her dismay, Sophy is back in London to oversee the debut of her younger sister and their wild cousin, Susan Tyneham, who risks ruining both her own and her innocent cousin’s chances of marriage.

Isabelle Wareham, whilst caring for her beloved widowed father, has not seen much of the world. After his death, Isabelle finds she is no longer her own mistress but under the guardianship of her unscrupulous brother-in-law, Lord Dunsfold, who sees her as a way to improve his own fortunes. The outlook looks bleak until events throw Isabelle and the impoverished Earl of Idsworth together. However, Dunsfold is determined to force her into a more lucrative match and Isabelle will need to rise above her circumstances to reach her chance of happiness.

Rowley Knight, Duke of Knighton, is too busy being a duke to bother with such nonsense as love. With three heirs, he is in no hurry whatsoever to succumb to the lures of the leg-shackles. He is content managing his siblings and estates, and avoiding society whenever possible. If he can only find someone to manage his young sister, life can go back to its proper order.