When the manuscript of a debut crime novel arrives at a Parisian publishing house, everyone in the readers’ room is convinced it’s something special. And the committee for France’s highest literary honor, the Prix Goncourt, agrees. But when the shortlist is announced, there’s a problem for editor Violaine Lepage: She has no idea of the author’s identity. As the police begin to investigate a series of murders strangely reminiscent of those recounted in the book, Violaine is not the only one looking for answers.

When a giant sperm whale washes up on the local beach and tells Joe Gunner that death will follow him wherever he goes. Joe knows that the place he needs to go is home. Having stormed out two years ago, it won't be easy. Nor will returning to the river alongside the house where words ripple beneath the muddy black water washing up all sorts of memories and disturbing prophecies. Joe turns to his sister, Birdee, the only person who has ever listened and to Tim Fysh, a local fisherman and longtime lover - but reviving their bond leads to trouble.

1333. Edward III is at war with Scotland. Nineteen-year-old Sir Harry de Lyon yearns to prove himself and jumps at the chance when a powerful English baron, William Montagu, invites him on a secret mission with a dozen elite knights. They ride north, to a crumbling Scottish keep, capturing a feral, half-starved boy within and putting the other inhabitants to the sword. But nobody knows why the flower of English knighthood snuck over the border to capture a savage, dirty teenage boy. Montagu gives the boy to Harry as his squire, with only two rules.

Heroic bookseller Laurent Letellier comes across an abandoned handbag on a Parisian street. There's nothing in the bag to indicate who it belongs to, although there's all sorts of other things in it. Laurent feels a strong impulse to find the owner and tries to puzzle together who she might be from the contents of the bag. Especially a red notebook with her jottings, which really makes him want to meet her. Without even a name to go on, and only a few of her possessions to help him, how is he to find one woman in a city of millions?

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.