As the only female cabinet maker in the valley in 1935, Frankie Redfern is unusual. She faces prejudice even from her own mother. But she's content working for her father and is unwilling to give up her independence or the work she loves for marriage. When her husband falls gravely ill, Frankie's mother takes over, causing serious trouble for her daughter. And her cousin, an unscrupulous local builder, starts to help her for his own reasons.

Set in 1920s London, this is the inspiring story of Kate Goss' struggle against poverty, hunger and cruel family secrets. Her mother died in a fall, her father has vanished without trace, and now her aunt and cousins treat her viciously. In a freezing, vermin-infested garret, factory girl Kate has only her own brave spirit and dreams of finding her father to keep her going. She has barely enough money to feed herself, or to pay the rent. The factory where she works begins to lay off people and it isn't long before she has fallen into the hands of the violent local money-lender. 

It is the late 1850s, and a tired woman holding a baby walks from Hull to one of the big houses in Anlaby - the home of the wealthy Rayners. She knocks at the door and shoves the baby at young James Rayner. The father was 'young Mr Rayner', and the mother is dead. Then she vanishes. The respectable shipping family of Hull are shattered.

When Polly Anna's mother died when she was just three years old, it seemed the workhouse was the only place for her to go. But with the help of Jonty - a young misfit who soon became her best friend - she managed to escape, running away with the fairground folk. She became a horserider and acrobat, travelling all around the country. Her friends became the circus people, and her home the caravans and travellers' tents.

Annie Swinburn had killed a man - the killing was timely and well-deserved, for Francis Morton had been evil in every possible way. But Annie knew that however justified her crime, only the rope and the gibbet awaited her if she remained in the slums of Hull. And so she ran - up river, along the wild and secretive paths of the great Humber - a new and unfamiliar territory which was to lead her into a new and unfamiliar life.

Norah's husband was killed in the Great War, and she's struggling to provide a home for her daughter. Andrew's wife is dead, and he wants to make a new life for his two sons. The Australian government is giving ex-servicemen a farm. But to join the group settlement scheme, Andrew must find a wife. Will a marriage of convenience give Andrew and Norah the chance they seek? Can two strangers be happy together? In Australia they have to clear the forest to make their own farms. But they're both strong and willing to give it everything they've got. 

London, 1935. Ruby is always hungry, but she will go without if it means her young brothers can eat. 1930s Bermondsey might be called the larder of London, with its pie, pickle and jam factories, but for the poor working classes, starvation is often only a heartbeat away. When Ruby's neighbour suggests she ought to go to the Methodist Mission for free food, Ruby knows her father will be furious, but she has no other option.

Sarah Foster's parents have been fighting a constant battle with poverty, disease and crime. When her father, Will, is involved in a terrible accident at work, their lives became even harder. But Will's good deeds of the past pay off as John Rayner decides to rescue the Fosters. John provides them with work and a house on the estate owned by his wealthy family.

One wild night in the 1930s, midwife Patty Peel is called to attend a birth on the opposite side of Liverpool. She pedals off into the storm and delivers a baby girl in a filthy slum dwelling, just as the mother dies. The drunk and violent father tells Patty to get rid of it so she takes the child away, meaning to deliver it to the nearest orphanage. However, Patty spent her entire childhood in an institution, except for the frequent occasions when she ran away, and cannot bear to hand the baby over. 

Rachel Smedling is not like the other women in her isolated Pennine village: she is taller, stronger, and weaves cloth like a man. Without her, the household would fall apart, for her mother is ailing and her vicious drunkard father seems to hate her so much, he would happily offer money to any man who would wed her. When her mother dies, Rachel is at the mercy of her increasingly violent father. Her only escape is by marrying a kindly man with whom she finds happiness, if not passion, and her life begins to seem complete.  

Lush, green, fragrant: the Indian hills of Assam are full of promise. But eighteen-year-old Clarissa Belhaven is full of worry. The family tea plantation is suffering, and so is her father, still grieving over the untimely death of his wife, while Clarissa's fragile sister, Olive, needs love and resourceful care. Beautiful and headstrong, Clarissa soon attracts the attention of young, brash Wesley Robson, a rival tea planter.

1860: Harriet Miles is trying to take care of her seriously ill mother, and just when she thinks things couldn’t get any worse she is fired from her job at the hostelry. The last thing she expects after her mother dies is a marriage proposal from a man she barely knows, but her only alternative is the workhouse. And so begins her new life with Noah Tuke. But instead of marital bliss, Harriet finds herself in the cramped farmhouse Noah calls home, and in this overcrowded and angry household she meets with hostility and bitterness. The only person who offers her friendship is Noah’s brother, Fletcher.

Jessie Burton is lively and intelligent - she wants more than the respectable life in service her mother has planned for her. Times are changing; railways are being built across the land, bringing new freedom and possibilities. Jessie tastes that freedom when she meets an ambitious young navvy, newly arrived in Yorkshire. The attraction between them is overwhelming. And Jared Wilde is determined to make Jessie his wife. 

They call them the custard tarts - the girls who work at Pearce Duff's custard powder factory in Bermondsey before the First World War. Conditions are hard but nothing can quench the spirit of humour and friendship. But the shadow of the coming war looms over them; it will pull London's East End together as never before - even while it tears the world apart.

It is 1900, and Adeline Warburton and Arnold Haslington have fallen deeply in love. But though both are from wealthy families, their social status is too far apart for their families to approve of the match. And when Arnold marries another, Adeline’s reaction is immediate and altogether unexpected, as she travels to make a new life in China. But although they are separated by thousands of miles, the consequences of their youthful passion continue to haunt them and their children - Addy’s daughter, Nala, and Arnold’s son, Philip. As the years pass and the children grow, violent forces are set to bring them together, unaware of the secrets from the past that bind them.