Harriet Jacobs’ autobiography, written under the pseudonym Linda Brent, details her experiences as a slave in North Carolina, her escape to freedom in the north, and her ensuing struggles to free her children. The narrative was partly serialized in the New York Tribune, but was discontinued because Jacobs’ depictions of the sexual abuse of female slaves were considered too shocking. It was published in book form in 1861.

Clotel; or, The President's Daughter: A Narrative of Slave Life in the United States is an 1853 novel by the author and playwright William Wells Brown. Set in the early 19th century, it is the story of Clotel and her sister Althesa, who are fictional slave daughters of Thomas Jefferson. It is considered the first novel published by an African American and explores the destructive effects of slavery on African American families, the difficult lives of mixed-race people, and the degraded and immoral condition of the relationship between master and slave. 

The Sound and the Fury is the tragedy of the Compson family, featuring some of the most memorable characters in literature: beautiful, rebellious Caddy; the manchild Benjy; haunted, neurotic Quentin; Jason, the brutal cynic; and Dilsey, their black servant. Their lives fragmented and harrowed by history and legacy, the character’s voices and actions mesh to create what is arguably Faulkner’s masterpiece and one of the greatest novels of the twentieth century.

Morrison shows how much the themes of freedom and individualism, manhood and innocence, depended on the existence of a black population that was manifestly unfree--and that came to serve white authors as embodiments of their own fears and desires. According to the Chicago Tribune, Morrison "reimagines and remaps the possibility of America." Her brilliant discussions of the "Africanist" presence in the fiction of Poe, Melville, Cather, and Hemingway leads to a dramatic reappraisal of the essential characteristics of our literary tradition.

Whether intended as historical fiction or not, this tale of a California bandit in the early years of the Gold Rush by America's first Native American novelist was based on real occurrences. By early 1853, a certain "Joaquin" was being blamed for seemingly every murder and robbery in the young Golden State—a Robin Hood-like figure originally from Mexico said to be an inspiration a half a century later for the character of Zorro (who in turn was an influence on masked vigilante and avenger characters like Batman).