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Edgar Allan Poe: Master of Horror

By: Mark Canada, The Great Courses
Narrated by: Mark Canada
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Publisher's Summary

Master storyteller. Madman. America’s dark genius. Who was Edgar Allan Poe, and why have his bizarre and fascinating works resonated with readers so strongly? 

Through these 10 lectures, you will delve into the darkness of Poe’s most nightmarish stories, including “The Tell-Tale Heart”, “The Pit and the Pendulum”, and “The Fall of the House of Usher”. You’ll also learn how he invented the detective story and explored themes of love and loss in such poems as “Ulalume” and “Annabel Lee”. And you’ll discover how Poe employed symbolism, imagery, rhythm and rhyme, irony and paradox, repetition, simile, and foreshadowing to create a unique body of work that has enthralled readers and influenced writers for more than 150 years. 

But our fascination with Poe is only partly his provocative, often disturbing literature. He is widely known for living an unconventional and tortured life - a life filled with loss, poverty, neglect, and self-destruction. So, in addition to the scope of his work, you’ll get captivating insights into the man himself: his tragic life and the inner workings of his curious mind. Plagued with more than his fair share of illness, conflict, misery, and death through most of his existence, Poe also notoriously exhibited bizarre behaviors that frequently undermined his quest for literary fame. Your professor, Mark Canada, draws on his own research into Poe’s psychology, including some insights from modern brain science, to understand why Poe acted and wrote as he did. 

Unpack the works, the life, and the mind of Edgar Allen Poe to discover what makes him a uniquely haunting author to this day.

©2020 Audible Originals, LLC (P)2020 Audible Originals, LLC.

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New perspectives

This series offers new perspectives and insights into both Poe and his work. The analysis of possible brain functions was fascinating and the detailed dive into the various types of literature created by Poe was eye opening. The narrator slipped into melodrama quite a lot when quoting but was good apart from that.

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