Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. Sethe has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved.

Based on Natasha Trethewey's collection of poems, The Alliance Theatre's production of Native Guard is both an elegy to her mother and a journey into Mississippi's Civil War history. In poetry and song, she reflects on her mother's passing while contemplating the former slaves who became soldiers in a regiment known as the Native Guard. Trethewey's work was the winner of the 2007 Pulitzer Prize in Poetry.

What makes “cults” so intriguing and frightening? What makes them powerful? The reason why so many of us binge Manson documentaries by the dozen and fall down rabbit holes researching suburban moms gone QAnon is because we’re looking for a satisfying explanation for what causes people to join - and more importantly, stay in - extreme groups. We secretly want to know: could it happen to me? Amanda Montell’s argument is that, on some level, it already has.

Kerri Arsenault grew up in the rural working class town of Mexico, Maine. For over 100 years, the community orbited around a paper mill that employs most townspeople, including three generations of Arsenault’s own family. Years after she moved away, Arsenault realized the price she paid for her seemingly secure childhood. The mill, while providing livelihoods for nearly everyone, also contributed to the destruction of the environment and the decline of the town’s economic, physical, and emotional health in a slow-moving catastrophe.

Margaret Renkl presents a devotional of sorts: fifty-two essays that follow the creatures and plants in her backyard over the course of a year. As we move through the seasons—from a crow spied on New Year’s Day, its resourcefulness and sense of community setting a theme for the year—what develops is a portrait of joy and grief. Joy at the ongoing pleasures of the natural world: “Until the very last cricket falls silent, the beauty-besotted will always find a reason to love the world.” And grief at a shifting climate, at winters that end too soon, at songbirds growing fewer and fewer.

Oral History, the lyrical saga of a Virginia mountain family, follows four generations of Cantrells over more than a century. Researching an assignment for an Oral History course, Jennifer drives to the town where her mother and father grew up. Raised by a stepmother, the young college student wonders why her father never talks of her real mother and is intrigued by the mystery of her heritage. One by one, the Cantrells tell of lives filled with vitality, colored by the land and family history.

Sara Dykman made history when she became the first person to bicycle alongside monarch butterflies on their storied annual migration—a round-trip adventure that included three countries and more than 10,000 miles. Equally remarkable, she did it solo, on a bike cobbled together from used parts. Her panniers were recycled buckets. In Bicycling with Butterflies, Dykman recounts her incredible journey and the dramatic ups and downs of the nearly nine-month odyssey.

Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

This story of a young woman's confrontation with death and her past is a poetic study of human relations.

The 52 micro-memoirs in genre-defying Heating & Cooling offer bright glimpses into a richly lived life, combining the compression of poetry with the truth-telling of nonfiction into one heartfelt, celebratory book. Ranging from childhood recollections to quirky cultural observations, these micro-memoirs build on one another to arrive at a portrait of Beth Ann Fennelly as a wife, mother, writer, and deeply original observer of life’s challenges and joys. Some pieces are wistful, some wry, and many reveal the humor buried in our everyday interactions.