Dirt Music

Fred Scully waits at the arrival gate of an international airport, anxious to see his wife and seven-year-old daughter. After two years in Europe they are finally settling down. He sees a new life before them, a stable outlook, a cottage in the Irish countryside that he's renovated by hand. He's waited, sweated on this reunion. He does not like to be alone - he's that kind of man. The flight lands, the glass doors hiss open, and Scully's life begins to go down in flames.

Tom Keely's reputation is in ruins. And that's the upside. Divorced and unemployed, he's lost faith in everything precious to him. Holed up in a grim high-rise, cultivating his newfound isolation, Keely looks down at a society from which he's retired, hurt, and angry. He's done fighting the good fight, and well past caring. But even in his seedy flat, ducking the neighbours, he's not safe from entanglement. All it takes is an awkward encounter in the lobby.

Jaxie dreads going home. His mum’s dead. The old man bashes him without mercy, and he wishes he was an orphan. And then, in one terrible moment, his life is stripped to little more than what he can carry and how he can keep himself alive. There’s just one person left in the world who understands him and what he still dares to hope for. But to reach her he’ll have to cross the vast saltlands on a trek that only a dreamer or a fugitive would attempt.

Two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives from scratch. For 20 years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts.

Here are turnings of all kinds - changes of heart, nasty surprises, slow awakenings, sudden detours - where people struggle against the terrible weight of the past and challenge the lives they have made for themselves. Beautifully crafted, and as tender as they are confronting, these elegiac stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

The remarkable true stories in The Boy Behind the Curtain reveal an intimate and rare view of Tim Winton's imagination at work and play. In Tim Winton's fiction, chaos waits in the wings, and ordinary people are ambushed by events and emotions beyond their control. Winton's own life has also been shaped by havoc.

'I grew up on the world's largest island.' This apparently simple fact is the starting point for Tim Winton's beautiful, evocative and sometimes provocative memoir of how this unique landscape has shaped him and his writing. For over 30 years, Winton has written novels in which the natural world is as much a living presence as any character.

Whales have always been the life-force of Angelus, a small town on the south coast of Western Australia. Their annual passing defines the rhythms of a life where little changes, and the town depends on their carcasses. So when the battle begins on the beaches outside the town, and when Queenie Cookson, a local girl, joins the Greenies to make amends for the crimes of her whaling ancestors, it can only throw everything into chaos.

Brisbane, 1983: A lost father, a mute brother, a mum in jail, a heroin dealer for a stepfather and a notorious criminal for a babysitter. It's not as if Eli's life isn't complicated enough already. He's just trying to follow his heart, learning what it takes to be a good man, but life just keeps throwing obstacles in the way - not least of which is Tytus Broz, legendary Brisbane drug dealer. But Eli's life is about to get a whole lot more serious. He's about to fall in love. And oh yeah, he has to break into Boggo Road Gaol on Christmas Day, to save his mum.

In Riversend, an isolated country town brought to its knees by endless drought, a charismatic and dedicated young priest steps out of his church and calmly opens fire on his congregation, killing five parishioners before being shot dead himself. A year later, troubled journalist Martin Scarsden arrives in Riversend to write a feature on the anniversary of the tragedy. But the stories he hears from the locals about the priest and incidents leading up to the shooting don't fit with the accepted version of events his own newspaper reported in an award-winning investigation. 

Night falls. In a lonely valley called the Sink, four people prepare for a quiet evening. Murray Jaccob sees a moving shadow in his orchard. Across the swamp, his neighbour Ronnie watches her lover leave and feels her baby roll inside her. And on the verandah of the Stubbses house, a small dog is torn screaming from its leash by something unseen. Nothing will ever be the same again.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.

It happened the day of the Moon Festival. It could have been left behind, they all could have moved on with their lives. But secrets have a habit of rising to the surface, especially in small towns. Two couples, four ironclad friendships, the perfect coastal holiday town. With salt-stung houses perched like lifeguards overlooking the shore, Lago Point is the scene of postcards, not crime scenes. Wife and mother Abbi, town cop Blake, schoolteacher Hannah and local doctor Will are caught in their own tangled webs of deceit.

The Dunbar boys bring each other up in a house run by their own rules. A family of ramshackle tragedy - their mother is dead, their father has fled - they love and fight and learn to reckon with the adult world. It is Clay, the quiet one, who will build a bridge - for his family, for his past, for his sins. He's building a bridge to transcend humanness. To survive. A miracle and nothing less.

Five women reluctantly leave the city for a challenging hike across the rugged Giralang Ranges as part of a corporate retreat. Only four come out the other side. Federal Police Agent Aaron Falk has a particularly keen interest in the whereabouts of the missing bushwalker. Alice Russell is the whistleblower in his latest case - and Alice knew secrets.