'I would like to ask that we begin to dream about and plan for a different world. A fairer world. A world of happier men and happier women who are truer to themselves. And this is how to start: we must raise our daughters differently. We must also raise our sons differently....' What does feminism mean today? In this personal, eloquently argued essay - adapted from her much-admired TEDx talk of the same name - Chimamanda Ngozi Adichie offers listeners a unique definition of feminism for the 21st century, one rooted in inclusion and awareness.

Ugwu, a boy from a poor village, works as a houseboy for a university professor. Olanna, a young woman, has abandoned her life of privilege in Lagos to live with her charismatic new lover, the professor. And Richard, a shy English writer, is in thrall to Olanna's enigmatic twin sister. As the horrific Biafran War engulfs them, they are thrown together and pulled apart in ways they had never imagined.

When Zikora, a DC lawyer from Nigeria, tells her equally high-powered lover that she’s pregnant, he abandons her. But it’s Zikora’s demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Stunned by the speed with which her ideal life fell apart, she turns to reflecting on her mother’s painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself. 

From Chimamanda Ngozi Adichie, the Orange Prize-winning author of Half of a Yellow Sun, come 12 dazzling stories in which she turns her penetrating eye on the ties that bind men and women, parents and children, Nigeria and the West. Searing and profound, suffused with beauty, sorrow and longing, this collection is a resounding confirmation of Chimamanda Ngozi Adichie's prodigious storytelling powers.

As teenagers, Ifemelu and Obinze fall in love in a Nigeria under military dictatorship. The self-assured Ifemelu departs for America, where Obinze hopes to join her, but post-9/11 America will not let him in, and he plunges into a dangerous, undocumented life in London. Fifteen years later, after so long apart and so many changes, will they find the courage to meet again, face to face?

Meet Keiko. Keiko is 36 years old. She's never had a boyfriend, and she's been working in the same supermarket for eighteen years. Keiko's family wishes she'd get a proper job. Her friends wonder why she won't get married. But Keiko knows what makes her happy, and she's not going to let anyone come between her and her convenience store.

In this exquisite story of family, food, grief and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter and guitarist. With humour and heart, she tells of growing up the only Asian American kid at her school in Eugene, Oregon; of struggling with her mother's particular high expectations of her; of a painful adolescence; of treasured months spent in her grandmother's tiny apartment in Seoul, where she and her mother would bond, late at night, over heaping plates of food.

Mr Salary is Nathan. Sukie moved in with him years ago because her mother was dead and her father was difficult, and she had nowhere else to go. Now they are on the brink of the inevitable. My love for him felt so total and so annihilating that it was often impossible for me to see him clearly at all. In Colour and Light, Aidan and Pauline watch a firework display together. They are almost strangers. But their stumbling connection pains Aidan more than any casual flirtation.

All too often the focus of mainstream feminism is not on basic survival for the many, but on increasing privilege for the few. Meeting basic needs is a feminist issue. Food insecurity, the living wage and access to education are feminist issues. The fight against racism, ableism and transmisogyny are all feminist issues. White feminists often fail to see how race, class, sexual orientation and disability intersect with gender. How can feminists stand in solidarity as a movement when there is a distinct likelihood that some women are oppressing others?

14-year-old Adunni has a dream: to be educated. But her father needs her bride-price, so sells his daughter to an older man, who demands she give him the fine boy-children his first two wives have failed to produce. When things go tragically wrong, Adunni flees to Lagos. It's what she has always wanted, to leave Ikati and see the world, and though her heart is full of sorrow for her lost family and the shame she has left behind, still Adunni will not be quiet and do as she's told.