When married off aged 12 to an elderly farmer, Eleanor Cornfed, who's constantly told to seek redemption for her many sins, quickly realizes it won't matter what she says or does, God is not on her side—or any poor woman's for that matter.

Eniola is tall for his age, a boy who looks like a man. His father has lost his job, so Eniola spends his days running errands for the local tailor, collecting newspapers and begging, dreaming of a big future. Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of family friends. When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola and Eniola's lives become intertwined.

When art historian Max Morden returns to the seaside village where he once spent a childhood holiday, he is both escaping from a recent loss and confronting a distant trauma.

It is 1873. Mrs Eliza Touchet is the Scottish housekeeper - and cousin by marriage - of a once famous novelist, now in decline, William Ainsworth, with whom she has lived for thirty years. Mrs Touchet is a woman of many interests: literature, justice, abolitionism, class, her cousin, his wives, this life and the next. But she is also sceptical. She suspects her cousin of having no talent; his successful friend, Mr Charles Dickens, of being a bully and a moralist; and England of being a land of facades, in which nothing is quite what it seems.

I am Lex Gracie: but they call me Girl A. I grew up with my family on the moors. I escaped when I was 15 years old. Now something is pulling me back....

In 1914, when the war draws the young men of Britain away to fight, it is the women who must keep the nation running. Two of those women are Peggy and Maude, twin sisters who work in the bindery at Oxford University Press in Jericho. Peggy is intelligent, ambitious and dreams of going to Oxford University, but for most of her life she has been told her job is to bind the books, not read them. Maude, meanwhile, wants nothing more than what she has. She is extraordinary but vulnerable. Peggy needs to watch over her.

Florence, the 1560s. Lucrezia, third daughter of Cosimo de' Medici, is free to wander the palazzo at will, wondering at its treasures and observing its clandestine workings. But when her older sister dies on the eve of marriage to Alfonso d'Este, ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage and her father to accept on her behalf. 

Kiara Johnson does not know what it is to live as a normal seventeen-year-old. With her mother in a rehab facility and an older brother who devotes his time and money to a recording studio, she fends for herself—and for nine-year-old Trevor, whose own mother is prone to disappearing for days at a time. As the landlord of their apartment block threatens to raise their rent, Kiara finds herself walking the streets after dark, determined to survive in a world that refuses to protect her.

Recently retired policeman Tom Kettle is settling into the quiet of his new home, a lean-to annexed to a Victorian castle overlooking the Irish Sea. For months he has barely seen a soul, catching only glimpses of his eccentric landlord and a nervous young mother who has moved in next door. Occasionally, fond memories return, of his family, his beloved wife June and their two children.

One by one, she undid each event, each decision, each choice. If Davy had remembered to put on a coat. If Seamie McGeown had not found himself alone on a dark street. If Michael Agnew had not walked through the door of the pub on a quiet night in February in his white shirt. There is nothing special about the day Cushla meets Michael, a married man from Belfast, in the pub owned by her family. But here, love is never far from violence, and this encounter will change both of their lives forever.

When a daughter is born to the King of Arcadia, she brings only disappointment. Left exposed on a mountainside, the defenceless infant Atalanta is left to the mercy of a passing mother bear and raised alongside the cubs under the protective eye of the goddess Artemis. Swearing that she will prove her worth alongside the famed heroes of Greece, Atalanta leaves her forest to join Jason's band of Argonauts. But can she carve out her own place in the legends in a world made for men?

It is 1921 and at Cassowary House in the Straits Settlements of Penang, Robert Hamlyn is a well-to-do lawyer and his steely wife Lesley a society hostess. Their lives are invigorated when Willie, an old friend of Robert's, comes to stay. Willie Somerset Maugham is one of the greatest writers of his day. But he is beleaguered by an unhappy marriage, ill-health and business interests that have gone badly awry. He is also struggling to write. The more Lesley's friendship with Willie grows, the more clearly she see him as he is—a man who has no choice but to mask his true self.

A young woman accompanies her mother on a holiday in Japan. The daughter has arranged their itinerary. They travel by train, visit galleries and churches chosen for their art and architecture, eat together in small cafés and restaurants and walk along the canals at night, on guard against the autumn rain and the prospect of snow. All the while, they talk, or seem to talk: about the weather, horoscopes, clothes and objects; about the mother’s family in Hong Kong and the daughter’s allegiances in Australia. But uncertainties abound. 

Colombo, 1990. Maali Almeida, war photographer, gambler and closet queen, has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the Beira Lake and he has no idea who killed him. At a time when scores are settled by death squads, suicide bombers and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts who cluster around him can attest. But even in the afterlife, time is running out for Maali.

Penguin presents the unabridged, downloadable, audiobook edition of My Name Is Lucy Barton by Elizabeth Strout, read by Kimberly Farr. A mother comes to visit her daughter in hospital after having not seen her in many years.