Shrewsbury, 1139. The bloody civil war between King Stephen and Empress Maud has swept through the country towards the rural security of Brother Cadfael’s monastery. The citizens of Worcester have fled, among them two orphaned children of noble stock, together with their tutor, a young nun. A Benedictine monk in whose care Lady Ermina and her brother Ives were left, comes to the Abbey to ask if the children have been seen.

Gervase Bonel, with his wife and servants, is a guest of Shrewsbury Abbey of Saint Peter and Saint Paul when he is suddenly taken ill. Luckily, the Abbey boasts the services of clever and kindly Brother Cadfael, a skilled herbalist. Cadfael hurries to the man's bedside, only to be confronted by two very different surprises. In Master Bonel's wife, the good monk recognises Richildis, whom he loved many years ago before he took his vows. And Master Bonel has been fatally poisoned by a dose of deadly monk's-hood oil from Cadfael's herbarium.

It is June in the Year of Our Lord 1143 when Elave, young clerk to William of Lythwood, returns from a pilgrimage to the Holy Land with his elderly master's body. His mission is twofold, to bury William in his home abbey of St. Peter and St. Paul, and to deliver a dowry to William's adopted daughter Fortunata. But Elave, suspected of harboring views inimical to church doctrine, is held for ecclesiastical trial. And when Aldwin, the Lythwood family clerk hired in Elave's absence, is stabbed to death, Elave is incarcerated not only for heresy, but for murder. Fortunata's dowry, an intricately carved box with mysterious contents, holds the key to the mysteries that spring up around Elave and the Lythwood family. Shrewd and patient, Brother Cadfael is at his best here. Performed by Tony Award-winning actor Derek Jacobi, this sixteenth chronicle of Brother Cadfael is sure to delight old friends and new fans.

After the violence of civil war in the spring, Shrewsbury has enjoyed a quiet summer and a good harvest. But, as Cadfael reflects ruefully, such a peaceful state of affairs cannot be expected to last. He's right. The trouble begins when Gervase Bonel, rich lord of the manor, proposes to sign all his property over to the Abbey. A welcome gift, but when Bonel is found poisoned, foul play is suspected somewhere along the line.

In 1137 the ambitious head of Shrewsbury Abbey has decided to acquire the remains of Saint Winifred for his Benedictine order. Brother Cadfael is part of the expedition sent to her final resting place in Wales, where they find the villagers passionately divided by the Benedictines' offer for the saint's relics. Canny, wise and all too worldly, Cadfael isn't surprised when this taste for bones leads to bloody murder. The leading opponent to moving the grave has been shot dead with a mysterious arrow, and some say Winifred herself dealt the blow.

It is Summer in the Year of Our Lord 1139 when the grand festive event, St. Peter's Fair, is held in the town of Shrewsbury. The event brings pause to the ongoing civil war, as tradesman from across England and beyond arrive in the town for some much needed gaiety. That is, until the body of a wealthy trader is found in the River Severn. Was Thomas of Bristol the victim of murderous thieves? And if so, why were his valuables abandoned nearby? Brother Cadfael offers to help the merchant's lovely niece Emma. But while he is searching for the killer, the man's wares are ransacked and two more men are murdered. Emma almost certainly knows more that she is telling, as others will soon realise. Cadfael desperately races to save the young girl, knowing that in a country at war with itself, betrayal can come from any direction, an even good intentions can kill. Performed by Tony Award-winning actor Derek Jacobi, this fourth chronicle of Brother Cadfael weaves history and intrigue into an intricate web of adventure.

It is nearing the end of the Year of Our Lord 1145. A monk vows to abandon all earthly ties, but how can Brother Cadfael obey when his son is captured in battle? Olivier de Bretagne is one of many young knights taken prisoner in the current power dispute in Britain, but he is also Cadfael's son, and the monk cannot be objective. A council is planned at Coventry to try to appease the warring factions, and Brother Cadfael asks leave to attend, knowing he must do all in his power to find and deliver his son. This most thrilling and humane of Ellis Peters's novels is filled with excitement, intrigue, and a meticulously depicted medieval background.

It is the Summer and Autumn of the Year of Our Lord 1143 in which the gentle monk, Brother Cadfael, is forced to leave the tranquility of his herb garden to find the whole truth behind the murder of a young women whose body was unexpectedly discovered in a newly tilled field recently acquired by the Shrewsbury Abbey in a land exchange.

Christmas, 1141 A.D. Abbot Radulfus returns from London, bringing with him a priest for the vacant living of Holy Cross (known as the Foregate), a man of presence, scholarship and discipline, but neither humility nor the common touch. When he is found drowned in the mill-pond, suspicion is cast in many directions, not least toward a young man who came in the priest's train, sent to work in Brother Cadfael's garden. For he has little obvious priestly calling. Indeed, he soon attracts the friendship of a girl both beautiful and formidable. To Brother Cadfael, once wordly, now dedicated, if gently cynical, is left the familiar task of sorting the complicated strands which define guilt and innocence.

In the summer of 1138, war between King Stephen and the Empress Maud takes brother Cadfael from the quiet world of his garden to the bloody battlefield. Not far from the safety of the Abbey walls, Shrewsbury Castle falls, leaving its ninety-four defenders loyal to the empress to hang as traitors. With a heavy heart, Brother Cadfael agrees to bury the dead, only to make a grisly discovery: 95 bodies lie in a row, and the extra corpse tells Cadfael that the killer is both clever and ruthless. But one death among so many seems unimportant to all but the good Benedictine.