Nya, a dedicated teacher at an inner-city school, is desperate to give her only son opportunities that her own public high school students will never have. When a controversial incident at his private school threatens to get Omari expelled, Nya must confront her own deepest fears to give her son a future. 

Peter Brook's seminal book, The Empty Space, sets out many of the ideas about theater which have informed his lifelong work as a theater director, from his iconic "white box" production of A Midsummer Night's Dream and his groundbreaking adaptation of The Mahabharata, to his ongoing work at the International Centre for Theatre Research. More than 50 years on from its first publication in 1968, The Empty Space remains a cornerstone of thinking about theater.

Practical and instructive, Egri provides a framework for writers to analyze and enhance their work. Numerous examples from classical and contemporary literature illustrate his principles, making the book a theoretical guide and hands-on manual for improving storytelling skills. "The Art of Dramatic Writing" has left a lasting impact, influencing generations of writers and remaining a staple in creative writing programs. Its enduring relevance lies in its timeless principles, applicable across genres and mediums.

Italian-American immigrant life in the 1950’s textures this searing drama of love and revenge. Longshoreman Eddie Carbone is devoted to his wife, Beatrice and to his niece, Catherine. When Beatrice’s impoverished Sicilian cousins enter the U.S. illegally, in hope of finding work, Eddie gives them a helping hand. But when Catherine and one of the cousins fall in love, Eddie’s affection for his niece turns into obsession. 

Aristotle's Poetics (335 BCE) is the earliest surviving work of dramatic theory and first surviving philosophical treatise on dramatic or literary theory. The work begins with a preliminary discourse on tragedy, epic poetry, and comedy as the chief forms of imitative poetry. By "imitative", Aristotle means the imitation of action in words as a creative process. He distinguishes comedy, tragedy, the satyr play, lyric poetry, and epic poetry by their differences in musical rhythm, harmony, meter, melody, nature of the characters, and the manner in which the narrative is presented.