February 8th traces the blues from survival code to social justice soundtrack and global rock foundation. We start in 1915 with the premiere of The Birth of a Nation, a racist propaganda film that pushed Black communities into constant vigilance and turned early Delta blues into coded music of survival—songs that said one thing on the surface and another underneath.

We then move to 1968 and the Orangeburg massacre in South Carolina, when police killed three students protesting a segregated bowling alley. In the wake of that tragedy, the blues grew a sharper edge, shifting from juke‑joint escape to “justice joint” advocacy and paving the way for soul blues artists to speak truth to power.

Along the way, February 8th spotlights key musical figures and turning points: the 1899 birth of Lonnie Johnson, who turned the guitar into a true lead voice with single‑note solos; Eddie “Guitar” Burns, who carried Mississippi mud to Detroit’s Motor City; and the 1956 hit “See You Later Alligator,” a Bobby Charles blues tune that became a Bill Haley rock and roll smash—an example of how Black architects built the house while others got their names on the deed.

We close with Marvin Sease, who died on February 8, 2011—a Chitlin’ Circuit giant whose raw, funny, and scandalous shows kept Southern blues alive long after mainstream radio moved on. February 8th stands as a reminder that the blues is resilience in motion: coded, borrowed, electrified, and always rooted in the full, messy human experience.

Hosted by: Kelvin Huggins

Presented by: The Blues Hotel Collective - your home for EVERYTHING BLUES.

Website: https://www.theblueshotel.com.au/

Keep the blues alive.

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