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Autumn

Seasonal Quartet, Book 1
By: Ali Smith
Narrated by: Melody Grove
Series: Seasonal Quartet, Book 1
Length: 5 hrs and 27 mins
4 out of 5 stars (33 ratings)

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Publisher's Summary

Fusing Keatsian mists and mellow fruitfulness with the vitality, the immediacy and the colour hit of Pop Art - via a bit of skullduggery - Autumn is a witty excavation of the present by the past.

Autumn is a take on popular culture and a meditation in a world growing ever more bordered: what constitutes richness and worth?

Autumn is the first instalment in Seasonal: four stand-alone stories, separate yet interconnected and cyclical, exploring what time is and how we experience it.

©2016 Ali Smith (P)2016 W.F. Howes Ltd

Critic Reviews

"Ali Smith's novels soar higher every time." ( Observer)

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What listeners say about Autumn

Average Customer Ratings
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  • Overall
    5 out of 5 stars
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    5 out of 5 stars

Stunning!

Would you recommend this audiobook to a friend? If so, why?

Highly recommended. Intelligent. Funny. Fierce. My first Ali Smith, have moved straight on to Winter. Can't wait.

What did you like best about this story?

It's unpredictability, a 'love affair' like no other.

What about Melody Grove’s performance did you like?

Loved Melody Grove's performance. I hope she will narrate the entire quartet.

Was this a book you wanted to listen to all in one sitting?

Yes.

1 person found this helpful

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    4 out of 5 stars
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  • Erik
  • 10-08-2018

moving tale of an unusual friendship

weaves different themes such as contemporary british society, brexit, popart, time passing, love-friendship relarionships despite age differences

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    4 out of 5 stars
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    5 out of 5 stars
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    4 out of 5 stars
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  • Rachel Redford
  • 08-11-2016

a collage of leaf-fall & never-ending stories

If you've met Ali Smith's work before, you'll know not to expect a conventional chronological story! Elisabeth Demand in present time is a 32-year-old junior history of art lecturer 'living the dream' according to her mother, but not so great for Elisabeth with no permanent contract and living in her old student flat. The narrative threads weave in and out of the previous 24 years going back to Elisabeth as an 8 year-old forging the loving friendship with a new elderly neighbour Daniel Gluck, the first seriously interesting person she has ever known who collects art (particularly the work of 1960s pop artist Pauline Boty who died in her twenties and in real time now outside the novel is being rediscovered), and who always asks Elisabeth what she is reading. As a 32 year-old, Elisabeth is visiting the much-loved Gluck now aged 101 who is slipping in and out of a dreamworld of memories as he slowly dies.

Pauline Boty and her work is one of the recurrent themes of this inventive and allusive book; along with the Profumo Affair (Boty painted a picture of Christine Keeler sitting on that chair backwards); and Elisabeth's repeated efforts to get her Check and Send passport application sent off only to find her head in her photo is ruled to be the wrong size after queuing for hours at the Post Office. These themes are tightly secured within an up to the very last moment post-Brexit Britain (how did this book come out so soon??), although neither the word 'Brexit' nor 'referendum' are mentioned - just the distress and perplexity of the country; and an unequal society regulated with mind-numbing rules.

What provides another layer to this intriguing, linguistically inventive, stream-of-thoughts novel are the allusions. This is Autumn (the other three seasons are to follow), the season of falling leaves, Keatsian mists and sycamore wings, all part of the pattern of dream and reality, death and renewal, loss and rediscovery: the fabric behind the novel's never-ending stories. Elisabeth is reading Brave New World, which is ironic as she waits her turn in the Post Office queue, and there are echoes in Smith's syntax throughout of the Tale of Two Cities - the best of times, the worst of times. In the very last sentence of the novel she has tucked in an unacknowledged quoted phrase 'wanwood, leafmeal' from Gerard Manley Hopkins's beautiful and apposite poem of 'unleaving' and grieving, 'Spring and Fall', which says it all about this season.

I haven't heard this narrator Melody Grove before, but she is impressive with what must be a very difficult book to read out loud. She helps make sense of what is sometimes quirky and quite difficult to follow, and makes Elisabeth from child to adult a real person. This is a novel you could listen to more than once and find more in it each time.

29 people found this helpful

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  • Duvethead
  • 11-12-2017

Beautifully crafted novel

I wanted to listen to it all over again once I’d finished. So many profound reflections hidden without the narrative.

6 people found this helpful

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  • Hugh M. Clarke
  • 29-04-2018

Disappointing

There has been much hype about this book. I was very disappointed. I found it dull, uninteresting, at times patronising and at times juvenile. There was little or no story and very few insights.

4 people found this helpful

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  • Suswati
  • 09-01-2018

Unusual story yet beautiful prose

Ali Smith has a wonderful way with words, describing a relationship between a young girl and her eccentric older neighbour, which seems to mirror the title of this book. Autumn shows the blossoming and withering of a man, Daniel Gluck, describing his younger years as a respected art critic of sorts, and the beauty he was constantly surrounded by. When he meets the younger Elisabeth Demand, he is already in the process of change, but she continues to help him feel alive, while he has a mentor-like relationship with her.

In between, Smith describes all of the major events plaguing Britain. From protesting the Iraq war, to Brexit doom, the perpetual markers that appear in the background of this constant, unwaning friendship. Can love and art really triumph over war? Smith believes it can.

The main issue with this novel is the fact that it is completely disjointed, and ends on a quite anti-climactic note. Read for the tone and not the story.

3 people found this helpful

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  • Blind Girl
  • 21-01-2018

Waiting for the winter

All in all accessible, sometimes confusing, sometimes too arty art, sometimes fragmentary. The chapter about Brexit is extraordinary. Story line often victim of artistic breakdown. Narrator was astonishing.

1 person found this helpful

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  • Anonymous User
  • 12-01-2018

Weird!

This was a very odd read. It felt like quality writing which was trying to give different layers of meaning but I have absolutely no idea what on earth the story (was there a story?) was about or what any of it meant. Quite strange!

3 people found this helpful

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  • Amazon Customer
  • 07-12-2017

Stellar

A book suggested by my book club. So, so glad. Beautifully constructed & wonderfully performed.

1 person found this helpful

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  • Sarah B
  • 22-11-2017

Wonderful performance

Really beautifully narrated. A wonderful story, which is woven really smartly. Lots to think about. No real answers here but just beautiful.

1 person found this helpful

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  • annie
  • 24-07-2020

Did I love it or hate it. I'm not sure!

I'm afraid I gave up 2/3 way through.
There is a delightful quality to the writing, some delightful characters, and intriguing twists of thought. Some moments of sheer delight.
But... just when you think you have found a story that grapples with complexity with amusement and insight, the carpet is swept from your feet and you land with a thump in the familiar territory of slightly simplistic and rather ungenerous polemic.
And, whilst the reader was first class in her characterizations, I found the way she read the incessant 'she said' 'he saids' just painfully irritating.

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  • Sophie
  • 20-07-2020

Surreal and sweet

Short enjoyable novel, funny in places, intriguing characters. It doesn't follow a linear storyline but nice to piece together the story, just like the collages in the book!

While the narrator reads well and gives all the characters real personality, I have given less for performance just because I don't think this translates that well into an audiobook, there is a lot of dialogue sections with "she said" "he said" that was a bit annoying to listen to.

Would recommend the book but might be a better one to read rather than listen to if you are able.