In 1924, four-year-old Cecily Larson’s mother reluctantly drops her off at an orphanage in Chicago, promising to be back once she’s made enough money to support both Cecily and herself. But she never returns, and shortly after high-spirited Cecily turns seven, she is sold to a traveling circus to perform as the “little sister” to glamorous bareback rider Isabelle DuMonde. With Isabelle and the rest of the circus, Cecily finally feels she’s found the family she craves.

The young Mary Cassatt never thought moving to Paris after the Civil War to be an artist was going to be easy, but when, after a decade of work, her submission to the Paris Salon is rejected, Mary’s fierce determination wavers.

1918: As the Great War rages, Jessie Carson takes a leave of absence from the New York Public Library to work for the American Committee for Devastated France. Founded by millionaire Anne Morgan, this group of international women help rebuild devastated French communities just miles from the front. Upon arrival, Jessie strives to establish something that the French have never seen—children’s libraries. She turns ambulances into bookmobiles and trains the first French female librarians. Then she disappears.

India Allwood grew up wanting to be an actor. Armed with a stack of index cards (for research/line memorization/make-shift confetti), she goes from awkward sixteen-year-old to Broadway ingenue to TV superhero. Her new movie is a prestige picture about adoption, but its spin is the same old tired story of tragedy. India is an adoptive mom in real life though. She wants everyone to know there’s more to her family than pain and regret. So she does something you should never do—she tells a journalist the truth: it’s a bad movie.

Emma hasn't told her husband much about her past. He knows her parents are dead and she hasn't spoken to her sisters in years. Then they lose their apartment, her husband gets laid off, and Emma discovers she's pregnant—right as the bank account slips into the red. That's when Emma confesses that she has one more asset: her parents' house, which she owns jointly with her estranged sisters. They can't sell it, but they can live in it. But returning home means that Emma is forced to reveal her secrets to her husband.