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A Simple Plan

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A Simple Plan

By: Scott Smith
Narrated by: Pete Bradbury
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From the author of The Ruins comes his New York Times bestselling thriller debut.

Hank Mitchell thought he lived an ordinary, ordered life. But on one chilly afternoon, Hank, his brother Jacob, and Jacob's unsavory pal Lou, make a discovery that offers a chance for a life filled with riches beyond their wildest dreams. And in a fateful moment, Hank lays a plan to claim that life...and the horrific crumbling of his ordered world begins...
Action & Adventure Genre Fiction Mystery, Thriller & Suspense Psychological Suspense Thriller & Suspense
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A Simple Plan is a simple idea for a story really.
it's not as simple as that though.. Scott Smith nails it with this book. It's brilliant and so believable that ppl could spiral due to these circumstances.
The narrator is the, or if not one of the best narrators I have heard, the way he comes across with the use of his voice is top class!
Thoroughly enjoyed this book.

Gripping

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A Simple Plan is an uncompromising study of moral collapse, and what makes it exceptional is its interior voice. Hank’s narration is so fully realised — so psychologically believable and so extreme in its self-justification — that it occasionally becomes darkly funny. His rationalisations are meticulous, airtight to him, and transparently monstrous to the reader. Those moments where you think “no, ya think???” are part of the book’s cruel brilliance.

Nothing here feels accidental. Every decision is argued for, reframed, defended — until murder, betrayal, and sacrifice become “reasonable.” It’s horrifying, but completely earned.

Jacob is the emotional core of the novel: a tragic figure eroded by guilt, fear, and loyalty. Some scenes involving him (especially the dog) were almost unbearable — I had to skip ahead — not because they felt gratuitous, but because they were too effective.

My only real issue comes at the very end. For the conclusion to land, the money needs to be completely unusable — but the explanation given (that some serial numbers were recorded) didn’t quite convince me. Given everything Hank has already rationalised, it felt implausible that this alone would justify destroying the money rather than laundering or delaying its use. The book wants absolute moral closure, and here the logistics bend slightly to achieve it. Still, it’s a minor flaw in an otherwise devastating novel.

⚠️ Book vs Movie ⚠️
The film adaptation is interesting but less effective, largely because it loses the book’s greatest strength: interiority.

In the novel, Hank’s decision to kill Jacob is horrifying but inevitable — fully earned through relentless psychological buildup. In the film, the same moment feels rushed and harder to buy. Jacob is more assertive, Hank less internally corroded, and the agreement between the two lands as shock rather than consequence.

The film leans more toward bad luck — events happening to the characters — whereas the book makes it clear Hank earns what happens to him. That difference matters.

Ironically, the film handles the ending slightly better: burning the money feels emotionally motivated by trauma and revulsion. In the book, where Hank remains fiercely rational, that final act feels more structurally necessary than psychologically inevitable.

Final verdict:
A brutal, gripping, and psychologically precise novel. Flawed at the margins, but unforgettable.

More reviews on Goodreads @emilymcmullan

Dark, brutal, and psychologically razor-sharp — with one stumble at the end (includes spoilers)

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