The Parasol Protectorate

Four original, unabridged, full-cast productions of Gail Carriger's most beloved fantasy short stories: "The Curious Case of the Werewolf That Wasn't, the Mummy That Was, and the Cat in the Jar": A mummified cat, a secret agent, and an aristocrat entangle Alessandro Tarraboti (father of Alexia Tarraboti from the Parasol Protectorate series) in a rollicking, wry adventure into the supernatural secrets of ancient Egypt.

When Alessandro Tarabotti and his valet, Floote, find themselves in Egypt on the queen's business, a chance encounter with tourists quickly leads to a...situation...with the local mummies. Can Allesandro complete his secret mission before he's hijacked by social obligation? And how will his aunt Archangelica react to his treatment of her cat? 

Alexia Tarabotti is labouring under a great many social tribulations. First, she has no soul. Second, she's a spinster whose father is both Italian and dead. Third, she was rudely attacked by a vampire, breaking all standards of social etiquette. Where to go from there? From bad to worse, apparently, for Alexia accidentally kills the vampire - and then the appalling Lord Maccon (loud, messy, gorgeous and werewolf) is sent by Queen Victoria to investigate.      

Alexia Tarabotti, now Lady Maccon, awakens in the wee hours of the midafternoon to find her husband, who should be decently asleep like any normal werewolf, yelling at the top of his lungs. Then he disappears - leaving her to deal with a regiment of supernatural soldiers encamped on her doorstep, a plethora of exorcised ghosts and an angry Queen Victoria. But Alexia is armed with her trusty parasol, the latest fashions and an arsenal of biting civility.

Quitting her husband's house and moving back in with her horrible family, Lady Maccon becomes the scandal of the London season. Queen Victoria dismisses her from the Shadow Council, and the only person who can explain anything, Lord Akeldama, unexpectedly leaves town. To top it all, Alexia is attacked by homicidal mechanical ladybugs, indicating, as only ladybugs can, the fact that all the London vampires are now very much interested in seeing Alexia quite thoroughly dead.