Seeking to fulfill the promise she made to her dying father, 18-year-old Jesselynn Highwood determines to take her little brother and the family's remaining thoroughbreds from the Twin Oaks plantation in Kentucky to her uncle's farm in Missouri, where they will be safe for the remainder of the Civil War.

Larkspur Nielsen is ready for a change. Her parents have passed on, and her older brother is successfully running the family business. She bristles at the small-mindedness that permeates life in her small Ohio community, and she sees little chance of a satisfying future there. She has a little money saved, and after turning the tables on a crooked gambler who had fleeced several locals, including her younger brother, she can stake a new start for herself and her three sisters. 

Thorliff's dream of becoming a writer is within reach. Working for a newspaper in Northfield, Minnesota, he is busy writing articles and stories to pay his way through college. But his idyllic world comes to a sudden halt when a catastrophe hits the town of Blessing, North Dakota. While waiting to hear if any of her applications to medical schools are accepted, Elizabeth takes a nursing position in Chicago. Then a devastating experience on the hospital ward puts her faith in God and her very life on the line. 

New York, 1898. The only thing more shocking than Arthur Stanhope III’s unexpected death is the revelation that his will bestows his company—and most of the vast fortune that goes with it—to the nearest male heir, leaving his mother, wife, and daughter nearly impoverished. His widow, Sylvia, quickly realizes she must set aside her grief to ensure their daughter, Adelaide, is launched into society as soon as the appropriate mourning period passes.

"But Mother is always dying" is Gillian Ormsby's sarcastic response when her younger, favored sister tells her that she has to go take care of their hypochondriac mother. Much against her will, since she and her mother never have gotten along, Gillian arrives in California to find the garden and yard dead, the blinds all drawn, and her mother indeed in bed - waiting to die. But when Gillian talks with the doctor, he assures her there's no medical reason behind her mother's state.